The SportsAlcohol Podcast: Top 15 Summer Movies for 1997

As we did for 1994, 1995, and 1996, we look 20 years back at the top films of the summer of 1997. Things were much different 20 years ago and we tackle some of the big changes including: 

Watching trailers without a broadband connection
Bookstores, existence of
Nicolas Cage was respected, dammit
John Travolta too, for that matter.
Girls wanted to hang out with us

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Stories from the Antebellum Planet of the Apes

The last time a new Planet of the Apes movie hit theaters we took a look at the tie-in novel and short films that were meant to fill in a little of the story between the movies. With the release of War for the Planet of the Apes, we decided it was time to update that list and run through all of the stories that have been released in this iteration of the series. If you want to catch up on the current Apes timeline (or want to know which ones are worth checking out) before going out to see the new movie, this is the list for you. Continue reading Stories from the Antebellum Planet of the Apes Founder in the Wild: Kevin Geeks Out About Kaiju

One Week From Today!
One Night Only!

As you may have noticed, co-founder Nathaniel is a bit of an expert when it comes to all things Godzilla. If you’re in the NYC area, you get the chance to see him smash through the structures of Monster Island ignorance in person ONE WEEK FROM TODAY at Kevin Geeks Out About Kaiju. The event takes place at the Alamo Drafthouse in Downtown Brooklyn, where you can have a warm peanut-butter-banana cookie with your monster mash. Official description:

The two-hour show features rare clips with everything from fan favorite kaiju to obscure creatures, with appearances by smog monsters, flying turtles, giant bird-beasts and more. With footage you won’t find on Netflix, Hulu or YouTube.

You definitely want to head over to the Alamo website to check out the event trailer.

Okay, now that you’ve done that, you probably want in. Details:

Date: Thursday, July 20, 2017
Time: 7:30 pm
Ticket Price: $15
Rating: NR
Run Time: 120 minutes
Format: Digital
Language: English
Age Policy: 18 and up


The SportsAlcohol Podcast: Spider-Man: Homecoming

The last Spider-Man movie, Amazing Spider-Man 2, was the subject of’s very first podcast. Over three years later, we’re back with an ever-more-slightly-better-produced episode about the third cinematic reboot of Marvel’s flagship character this century. Topics covered:

  • Betty Brant
  • Dennis Miller
  • Women named Marisa
  • How bad we are at podcasts

Also, as mentioned in the podcast, check out Rob’s take on Betty Brant

SPOILER WARNING: This podcast assumes you’ve seen every movie every made with Spider-Man

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A Ghost Story: Has David Lowery Made a Post-Actor Movie?

David Lowery’s A Ghost Story reunites him with Casey Affleck and Rooney Mara, who starred in his Malickian lyrical-outlaw potboiler Ain’t Them Bodies Saints. It’s not surprising that Lowery would want to re-up with Mara and Affleck, who since their work for him have gone on to an Oscar nomination (Mara, for Carol) and an Oscar win (Affleck, for last year’s Manchester by the Sea). But part of what makes A Ghost Story so beguiling, and so much more interesting than Saints, is the way Lowery uses these talented actors: For long stretches, he doesn’t. In the contemporary summer movie season, where special effects and branding are often sold over movie stars, Lowery has made a movie more boldly post-actor than any recent blockbuster.

It starts out intimate, but familiar: A couple, unnamed by each other but called M (Mara) and C (Affleck) by the credits, nuzzles and sulks in a small house they’ve rented. Eventually, we realize that M wants to leave, while C, a musician, would prefer to stay. And then, after minutes on end of hushed semi-confrontation (and a few eerie noises), C dies in a car accident, right in front of their home. There are hints that Ghost Story will become a long-take study in grieving, like the way Lowery’s camera lingers on M, alone with C’s body in the morgue for a few minutes. The camera fixes on her as she fixes on the body, tucks the sheet over her husband’s lifeless head, then suddenly rushes out. The camera stays. And after a little while longer, C’s body, still sheet-covered, rises up.

It’s not literally his body. This wandering figure, with eye-holes cut in the sheet to make it resemble a hastily assembled Halloween costume, is C’s ghost, invisible to the world around him. As he walks around the hospital where his body remains, he’s presented with what looks like the opportunity to cross over into some kind of afterlife. He hesitates. And then he’s back at the house, watching his widow.
Continue reading A Ghost Story: Has David Lowery Made a Post-Actor Movie?

Will Ferrell experiments with dad comedy in The House

In Will Ferrell’s new movie The House, the comic actor plays the father of an incoming college freshman. Age-wise, this makes perfect sense; Ferrell is nearly 50, and having his daughter be a burgeoning adult probably more accurately reflects typical parent ages than, say, Adam Sandler, who is only a year older than Ferrell but has been stuck parenting mostly tweens on-screen for about a decade. Sandler is a major comparison point not just because of his age, but because of that tenure as a movie dad, which has by now amounted to around a dozen movies, many of which are explicitly about fatherhood (or Sandler’s sitcom-sentimental version of it, anyway).

This happens to most big comedy stars as they get older, especially guys – they need to pay tribute to their real-life families, reflect their real-life priorities, and nod to their aging fanbase by rejecting their youthful vigor/anger/anarchy in favor of gentler dad antics. Ben Stiller spent a whole comedy trilogy preparing himself for the rigors of family life; Sandler made a movie about dads screwing around and busting each other’s balls on vacation, and it’s his only live-action project so far to spawn a sequel; as early as 1997, just three years into his career as a superstar, Jim Carrey was playing a liar who needs to learn to be a better parent to his disappointed moppet.

Ferrell, though, has resisted this role, at least in movies. During his seven years on Saturday Night Live, he was a go-to father figure. His very first showcase sketch had him manning a barbecue, pausing every so often to scream, with increasing frustration and intensity, at unseen off-camera children to “GET OFF THE SHED.” Ferrell was a natural fit in these parts, with his height, soft belly, and slightly beady eyes – he could appear cuddly or menacing, sometimes within the same sketch. Later in his run on the show, he had a recurring bit where two parents made inane conversation over dinner, a symphony of plate-clinking silverware their backing track, until their teenage daughter would interrupt them and send Ferrell into an apoplectic but impotent rage.
Continue reading Will Ferrell experiments with dad comedy in The House

The Podcast: Favorite Movies From Every Year We’ve Been Alive

This one requires some explanation.

You may have seen a meme going around Facebook, Twitter, and/or other soshmedes sometime earlier this year, where each participant would list their favorite movie from every year they have been alive (excluding, sometimes, the current, incomplete year). This got us here at thinking, and because we love lists and we love podcasts, Jesse, Marisa, Sara, and Nathaniel eventually decided to accept this challenge, send each other the lists in question, and then talk about it: How we made these choices, what we had in common, and where we diverged wildly (and not just because all four of us were born in different years).

So before you listen to this podcast — and you should listen, because it’s an extremely fun discussion — you might want to check out our list-inclusive grid below. Years where we all agreed on the same favorite movie are in green; years where all but one of us agreed are marked in yellow; years where no one agreed are marked in red.

How To Listen

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  • You can subscribe to our podcast using the rss feed.
  • I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
  • I don’t really know what Stitcher is, but we are also on Stitcher.
  • is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
  • You can download the mp3 of this episode directly here.
  • You can listen in the player below. In honor of the life-spanning nature of this discussion, I’m using our default logo that includes pictures of many of us as younger people

The Podcast: Wonder Woman

We weren’t sure if we were going to do a Wonder Woman podcast because we cover so many comics-related movies so often, but then Wonder Woman came out and became a phenomenon and suddenly it seemed pretty lame to have podcasts on Batman v. Superman: Dawn of Justice and Suicide Squad and not the first of these DCU movies that everyone loves. Plus, we had a genuine superhero novice in the form of Sara, who never sees this stuff, so she and Marisa and Jesse and Nathaniel sat down to talk about our Wonder Woman experiences: How it’s different from other superhero movies, how it’s similar, and what it means to the larger audience that’s obviously connecting with it.

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Let’s Talk About Pirates of the Caribbean 5

Jesse and Nathaniel saw Pirates of the Caribbean: Dead Men Tell No Tales. We were the only people in our social circle to do so, as far as we knew. So let’s talk about it!

So I think it’s fair to say when a movie series makes it to part five, and it’s not something like Fast & Furious where it inexplicably gets way, way better the fifth time around, a natural question becomes: Why are we still doing this? I’m not saying the movie has to answer this, necessarily, because usually the answer is some combination of “$” and “$$$” and as the person who paid money to see Underworld: Blood Wars earlier this year, I’m not one to talk about pointless fifth installments. But I think that is a sentiment you’ll see a lot even as Pirates of the Caribbean: Dead Men Tell No Tales makes a ton of money (some in this country; more in other countries). I’m sure lots of people will ask, semi-rhetorically, are there really any hardcore Pirates movie fans left? Were there ever that many to begin with, or did people just really hope that the sequels would be as good as Black Pearl? Which brings me to you, Nathaniel. You are easily the biggest fan of this series that I know. You were the only person I considered bringing with me to the screening last week. So what are you, a pretty big Pirates of the Caribbean fan, looking for another sequel? And did Dead Men get the job done?

You’re right! I’m the Pirates of the Caribbean fan that you know! I mean sure, everybody likes the ride and the first movie, and I do too. But I love those first three Gore Verbinski-directed (and Ted Elliott & Terry Rossio-written) Pirates movies on a par with all the other stuff I’m always getting excited and going on about. I’ve even seen the fourth movie, On Stranger Tides, more than once! (It was definitely a disappointing comedown after the first three, but I still kinda like it.) So I was excited to see this new one, but your question about what I’m looking for in a sequel still gave me pause. Because I think there’s a conventional wisdom that, after the first movie, Disney has squandered a series that should have been easy to sequelize (with a notion of discrete Indiana Jones-style installments following Jack Sparrow on new adventures), first converting it into a dense fantasy trilogy and then producing a standalone Jack Sparrow caper that few seem to have liked. So I’d contend that (even aside from how hard it is to make a crowd-pleasing movie like this in the first place) it’s not as easy to create a satisfying sequel to Pirates of the Caribbean as one might think.
Continue reading Let’s Talk About Pirates of the Caribbean 5

The Podcast: The Alien Series

The Alien series has become, against some odds, one of cinema’s most enduring sagas, even as several of its best and most famous installments very much resist the temptation to tease out plans for sequels. With the eighth Alien-featuring film and second prequel to original Alien, Ridley Scott’s Alien: Covenant, just out in theaters, we gathered together a bunch of Alien fans to talk about every single movie in the franchise in one way or another, even the ones with the Predators. Join Marisa, Jesse, Nathaniel, Sara, and Jon as we discuss:

  • Our franchise faves
  • What’s up with Ridley Scott’s return to the Alien series
  • Other filmmakers who might be up to the task
  • What we thought of Alien: Covenant
  • How many Michael Fassbenders is… still not enough Fassbenders
  • The gross Frenchness of Alien: Resurrection
  • Whether going into hypersleep is always a bad idea
  • Seriously, the ones with the Predators
  • And more!
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