Tag Archives: film

The SportsAlcohol.com Podcast: Oscars 2021!

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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Oscars 2021 are finally here, which means Oscars 2021 are also finally nearly over! It’s been a long spring and a long awards season and a weird distended eligibility period, which has given us Marisa, Sara, Jesse, and Jeremy plenty of time to watch all of the Oscar contenders, except those that we just couldn’t get to. Just like years past, we are focusing on who we want to win across the biggest categories, with some bonus predictions and plenty of classic Oscar carping about what movies and performances should have been recognized by the ol’ Academy bluehairs! Be sure to listen to us before placing any virtual bets in your office’s virtual Oscar pool! (Assuming your Oscars 2021 pool is mainly about which cinematography Jesse likes best or which major-category rule most enrages Marisa.)

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The 20 Best Movies of 2020

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Latest posts by Jesse (see all)

Back in the fall, we were so uncertainly about the prospects of discussing the best movies of 2020 in a timely fashion that we decided to call it early and do a best-movies-of-the-year podcast in September. Who knew when anything would get back to normal, if ever? As it turns out, we’re well into 2021 and things still haven’t gotten back to normal (and no amount of pushing the Oscars into April has changed that). But something that stayed the same, albeit in weird and different shapes, were movies, in that there were good movies all through 2020, and in a hell year–hell, a hell-year-plus–that’s still worth talking about. So here we are, talking about the best movies of 2020 again; this time in writing, though a podcast will soon follow, too. And if we (I, Jesse) didn’t get this up until March, well, we’re still having the conversation earlier than the Oscars. That’s gotta count for something, right? Maybe in a few months, you can even start to think about how you might see revivals of these movies out in the real world again. The best movies of 2020 are here for you well into 2021 and beyond! Herewith, Sara, Marisa, Jeremy, Jesse, and Nathaniel talk about their collective favorites.
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COMING 2 AMERICA Sells Itself Short

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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Sometimes, usually around the Super Bowl, an enterprising corporation will entice a famous actor to reprise a famous role for 30 or 60 seconds at a time. Whether it’s Jeff Bridges briefly returning to The Dude or Mike Myers and Dana Carvey doing one more Wayne’s World sketch, these reanimations can light up our nostalgia receptors with warm hit of recognition. They’re also commonplace enough to diminish with every passing year. The ads themselves may technically vary in cleverness, but most of them amount to a momentary spark, quickly dampened–whether by lame jokes, depressing shilling, or simply the cruel visibility of time’s passage. Coming 2 America, a 33-years-later sequel to one of Eddie Murphy’s better comedies, is like watching that type of Super Bowl ad for 105 minutes, give or take. Imagine how much dampening that involves.

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The SportsAlcohol.com Podcast: The Films of Martin Scorsese

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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For an episode so long in the works that we decided to make it two episodes, the SportsAlcohol.com film buddies decided to take on the filmography of Martin Scorsese. He doesn’t have a new movie out, and probably won’t until 2022, but we’ve been stuck inside for much of the past year, and Scorsese has such a rich (AND VARIED) filmography that it’s always a pleasure to go flipping back through it. Plus, Raging Bull recently turned 40, Goodfellas recently turned 30, and Casino recently turned 25! Scorsese has so many movies, you can find a significant anniversary virtually any year. So while you prep for the upcoming 10th anniversary of Hugo and 15th anniversary of The Departed, why not kick back with our career-spanning retrospective, wherein we have at least some form of discussion about every fiction film Martin Scorsese has ever made! We talk about the gangster ones, the pulp ones, the religious ones, the early ones, the Leo ones, and more! Do not let Jesse have watched Boxcar Bertha in vain!

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In THE LITTLE THINGS, Denzel Washington sticks around for more afternoon-cable pulp

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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There are times when it’s easy to lose patience with Denzel Washington for his steadfast dedication to being a movie star. Here is one of the best actors of his generation, a popular two-time Oscar winner with fine taste in theater classics and a willingness to complicate his megawatt charisma, who nonetheless frequently makes movies designed to play on some Turner-owned cable station or another in weekend-afternoon perpetuity.

Yet Washington, who has always appeared in pulp but has done so more often after 50, has stuck around in crime thrillers, vigilante thrillers, and serial-killer-chasing thrillers for so long that his junky one-for-them studio pictures can, under the right lighting, look like comfort. The Little Things, his new Warner Bros. movie premiering in theaters and HBO Max simultaneously, has the right lighting. Specifically, it’s lit in Diet David Fincher greens and streetlamps at night, a more richly moody look than anything I’ve seen before from writer-director John Lee Hancock. Hancock is taking a break from his usual Americana; rather than observing the men who caught Bonnie and Clyde or the unctuous franchising of McDonald’s or the white-knuckle production of Mary Poppins, he’s simply on the trail of Denzel Washington, on the trail of a serial killer, throwing back only so far as 1990. Canny, setting a cops-versus-killer narrative at the dawn of that narrative’s big-studio heyday.

Continue reading In THE LITTLE THINGS, Denzel Washington sticks around for more afternoon-cable pulp

Liam Neeson Cosplays Late-Late-Period Clint Eastwood in THE MARKSMAN

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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There is no shortage of Clint Eastwood. He may not star in movies as regularly anymore, but his late-late-period career has featured so many roles that seemed like de facto retirement ceremonies that Gran Torino, Trouble with the Curve, and The Mule feel closer together than they are, spread out over the course of a decade. He has at least one more starring role to go; his movie Cry Macho is due out by the end of 2021. By then, he will be 91. The Mule, his last not-quite-last movie made $100 million in the United States. He is easily the most popular eighty-and-ninetysomething actor and director in Hollywood history.

Yet at some point, very likely in the next five to ten years, Clint Eastwood will no longer make movies. (This is not a prediction of his death, mind. If it’s easy to picture any movie star making it to 110, it’s Clint.) He will leave behind the perception that a certain segment of the moviegoing public really enjoys seeing middle-to-advanced-aged men put younger bad guys in their place. 2009’s Taken, starring Liam Neeson, is generally considered to have kicked off the modern strain of old-man-vengeance thrillers, but Eastwood was there a few weeks earlier with 2008’s Grand Torino, just as big a hit with an even older protagonist. (Neeson was a spry 57 when Taken came out, compared with Eastwood’s 79 at the same time.)
Continue reading Liam Neeson Cosplays Late-Late-Period Clint Eastwood in THE MARKSMAN

The SportsAlcohol.com Podcast: Robert Zemeckis

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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Following up our recent career view of Sofia Coppola, the SportsAlcohol.com team turns their attention to a very different filmmaker, in celebration (?!) of the recent release (!?) of the new Robert Zemeckis version of The Witches. Experiencing this disappointment gave us an excuse to convene Marisa, Nathaniel, Jesse, and Jeremy, and talk about the ups and downs of this Spielberg protege, master craftsman, and low-key weirdo. It’s a long one, but we fulfill our usual goal of at least touching upon every feature film this director has made! Do you stump for Death Becomes Her? Hate Forrest Gump? Wonder what the hell was up with Welcome to Marwen? Have nightmares about The Polar Express? They’re all here!

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The Worst Movies of 2020

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Latest posts by Jesse (see all)

Usually, around November of each year, I contribute a ballot of fifteen terrible movies to the A.V. Club, which they aggregate into a list of the year’s worst films. In 2020, owing to a slowdown in studio movies (which usually provide at least a few juicy targets) and overall feelings that the year has had enough pain and punishment without asking critics to relive their worst experiences, my editor decided not to do a Worst-Of list. Elsewhere, there’s a growing consensus that Worst-Of lists are pointless endeavors, designed to reward cheap and easy snark; the exact opposite of what a critic should do.

As Adam Sandler says in Uncut Gems: I disagree.

Worst-of lists are cathartic. There are all kinds of bad movies critics wind up watching out of curiosity, completism, assignment, or, if you’re a freelancer trying to cover some bases, the futile hope that you may be able to parlay having seen it into an assignment. Sometimes you just want to write a few words to try to process the experience. Also: if the most valuable function of best-of lists is to shine a spotlight on movies you think people should prioritize, is it not helpful to explain which movies you found particularly unworthy of the time it takes to watch them? I tend to be pretty loose with recommendations; if you want to see a movie, I say, you should just see it. Read my review afterward. I’m not a consumer guide; who knows what you’ll like? That said, sometimes there are movies that deserve special attention, and sometimes that attention is not positive.

So, because I’m happy to keep the bad vibes flowing, here are my personal choices for the worst movies of 2020. I’ve quoted from my review when a review exists; otherwise, I re-opened these wounds and let some blood flow.
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The SportsAlcohol.com Podcast: Sofia Coppola

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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Sofia Coppola’s new movie On the Rocks dropped on Apple TV (and a few theaters, apparently), and with a worldwide pandemic still raging, it felt like a good time to stay in and rewatch her other six movies and talk about her 20-year career so far. So that’s just what Marisa, Sara, Jesse, and Jeremy did in a comprehensive conversation, appreciation, and career overview. The gang’s all here: Bill Murray! Kirsten Dunst! Guilded cages! The birth of Josh Hartnett’s dirtbag cool! Amazing soundtrack cues! Anachronisms! The Godfather Part III! A short-lived MTV series! And more! If you love the current Best Coppola’s work as much as we do, you won’t want to miss this one.

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NYFF58 At-Home Dispatch #3: Michelle Pfeiffer, Scene-Stealing Cats, and More Steve McQueen

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
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The problem with doing festival dispatches more or less organized by your watch schedule is that you inevitably wind up feeling like you left something out. This year’s missed opportunity: When I caught up with The Woman Who Ran, it seemed like an obvious companion to The Calming. The latter, as covered here, is about a woman traveling around and retreating into solitude where she can find it. Hong Sang-soo’s The Woman Who Ran is about a woman (Kim Minhee) in a similar state, but with a more socially oriented structure: Spending time apart from her husband for the first time since they were married, she visits three different figures from her past. The scenes are long, chatty, sometimes awkward, and sometimes revealing; the best one only tangentially involves the lead character, as one of her friends has a polite but strained disagreement with a new neighbor about whether it’s reasonable for her to feed stray cats. (Great cat acting forms a punchline that somehow felt unexpected even though it’s the natural endpoint.) It’s less aesthetically pleasing than The Calming, as well as less, well calming, but it also generates some minor, compelling mysteries from these glimpses into the characters’ lives. (It’s also even shorter, at 80 minutes! Lots of below-90 runtimes in this year’s NYFF, as if the programmers knew viewers might be fitting in their viewings into an increasingly tricky jigsaw puzzle of at-home viewing.)
Continue reading NYFF58 At-Home Dispatch #3: Michelle Pfeiffer, Scene-Stealing Cats, and More Steve McQueen