Tag Archives: movies

Acting, My Dear Boy: THE EYES OF TAMMY FAYE and BLUE BAYOU

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

In The Eyes of Tammy Faye, a new sort-of biopic about the spouse of disgraced televangelist Jim Bakker, Jessica Chastain gives us the visible-acting works. She does stuff to her voice, taking on a pinched midwestern sing-song, and does stuff to her face, using both her expressiveness and a ton of makeup—the latter used first to emulate the ritual face-slathering undertaken by her subject, and then to replicate the shifting contours of her actual face. It’s an approach that I’ve sensed may be going out of style—at least among some viewers, who are more attuned than ever to the shifty politics of “transforming” actors into shapes, sizes, and bodies (plus, in the not-especially-distant past, races and genders!) that don’t much resemble their own. It’s called acting, sure, but questions nag at these monuments to dedication and, yes, actorly ego: Must the same small pool of beautiful people be tasked with portraying the full range of humanity?
Continue reading Acting, My Dear Boy: THE EYES OF TAMMY FAYE and BLUE BAYOU

The SportsAlcohol.com Podcast: Top Movies of Summer 1991

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

As promised, the SportsAlcohol.com panel of summer movie experts is back and bigger than ever, with no fewer than seven all-star contributors assembling (virtually) to discuss the biggest and not necessarily best movies of summer 1991. The panelists are Marisa, Ben, Nathaniel, Sara, Becca, Jeremy, and Jesse. The movies of summer 1991 include R-rated sci-fi action hits that also generated playground buzz from the preteen crowd; a jetpacked retro superhero; Billy Crystal having a midlife crisis; a whole lotta fire; and Kevin Costner in a mullet. And that’s not all! You’ll also find out how Becca’s dad preferred to watch Backdraft, how Robin Hood: Prince of Thieves changed Marisa’s life, how Boyz n the Hood holds up thirty years later, which beloved blockbuster(s) that Ben actually kinda hates, and more, more, more!

If you love hearing us talk about the movies of summer 1991 and long to hear different combinations of us discussing other summer movies of yore, here’s the complete history of this project:

1990
1994
1995
1996
1997
1998
1999
2000
2001

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

  • You can subscribe to our podcast using the rss feed.
  • I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
  • I don’t really know what Stitcher is, but we are also on Stitcher.
  • SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
  • You can download the mp3 of the Black Widow/Cruella episode here and the streaming-biz discussion episode here
  • Our most recent episode or two will sometimes be available on our Soundcloud. We don’t always have it working right but there’s good stuff there regardless!
  • You can listen to the episode in the player below.

REMINISCENCE shows why Hugh Jackman can’t go back to Wolverine again

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Ryan Reynolds is at it again: A new round of press for his new movie Free Guy has meant another parallel round of Reynolds goofing on his former co-star of X-Men Origins: Wolverine—not least because Jackman does quick vocal cameo in the mostly video-game-set comedy. As it happens, Jackman also has a new movie out this month, so his press rounds for Reminiscence have included him discussing how much Reynolds wants to do a Deadpool/Wolverine team-up, and how Jackman doesn’t think that’s in the cards.

Reynolds and Jackman did, of course, team up briefly during that Wolverine prequel that introduced the wisecracking mercenary Wade Wilson, played by Reynolds (as well as the mutated and muted version that re-appears at that film’s misbegotten climax). Since then, Reynolds has resurrected Deadpool as an extremely popular and self-referential R-rated superhero, while Jackman has gone on to make two Wolverine movies that were actually good-to-great. Seems like everything worked out for both of them, but in the spirit of nothing being left alone, it makes sense enough that Reynolds would like a reunion that hitches Deadpool’s insouciant wisecrackery to Wolverine’s gruff irritability. It would probably be a fun and funny variation on the X-Men series that fans would enjoy.

It would also place the sensibilities of two major stars directly at odds. And not necessarily in the usual, familiar buddy-comedy way.
Continue reading REMINISCENCE shows why Hugh Jackman can’t go back to Wolverine again

THE GREEN KNIGHT is a gnarly dorm-room poster I don’t know how to review

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Usually, I delight at the opportunity to write about a new movie in a simple new-release-review format, preferably at one of the outlets that care to indulge me in that regard, but sometimes on this website, where I don’t have to pitch my pre-constructed take on a particular film or filmmaker keyed to the zeitgeist, or a more specific demographic than “people who want to read a review of a new movie that they might watch at some point.” Those kinds of essays can be fun to write and turn out wonderfully; sometimes they are trying to fit a square peg into a round hole. Faced with the opportunity to write what I wanted about The Green Knight, however, I longed for the sense of purpose one can assign the fitting of a square peg into a round hole. For whatever reason, thinking about what to say about The Green Knight has felt like throwing a series of square pegs into the Grand Canyon.

This is not to say that The Green Knight is a film of vast, inimitable, impossible beauty (though it is beautiful). This is also not to say that I at all disliked David Lowery’s take on an Arthurian legend (maybe call it an Arthurish B-side?). For the most part, I liked it quite a lot; am I allowed to just come out and say that in a movie review? There are some parts in the first half-hour where too many characters have too many hushed conversations inside too many dim castles, and I briefly grew drowsy. But even this was weirdly effective, as so much of the rest of the movie plays like an actual dream, during which I was quite lucid, and delighted by the movie’s visual boldness and glorious unpredictability. (Perhaps now is a good time to admit that I was not familiar with this particular oft-told tale.)
Continue reading THE GREEN KNIGHT is a gnarly dorm-room poster I don’t know how to review

THE SUICIDE SQUAD is a gory, beautiful reboot of the same old thing

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Here’s one sign among many of how the world of movie franchising has expanded over the past 20 years. It’s not as if there weren’t 20th century sequels—hundreds of ‘em!—but there was a time where the idea of a follow-up to a movie called Suicide Squad, especially one that inspired such mixed reactions, would be a cheap premise for a joke about Hollywood’s bankruptcy. Whaddaya call it, Suicide Squad 2: Still Not Dead? Suicide Squad: This Time We Mean It? Now the central idea behind Suicide Squad, wherein bad guys are forced onto impossible missions with low probability of survival, feels ready-made for sequels. If an actor gets too fussy, kill ‘em off. If the whole thing goes sideways, start over with a new squad. And if people love it, well, no one in comic book movies really stays dead, anyway.

People did not love 2016’s Suicide Squad. It was a mess, taped together by a great concept, the star power of Will Smith, and the allure of the popular DC Comics character Harley Quinn, making her live-action debut. It was then slathered in gluey, trailer-ready pop songs—only this time, the trailer figured out the playlist first and the movie was forced to follow suit. It still made a tonna dough, as Harley Quinn might say, and a sequel was being developed around the same time that James Gunn, director of the Guardians of the Galaxy movies over at DC’s rivals Marvel, found himself with some free time. Parent company Disney had recently been tricked into firing him for some untoward old tweets and DC, apparently being the place for reformed villains, scooped him up quickly enough to get the Squad rolling again. (Gunn was since rehired by Disney and Guardians 3 is in the works again.)
Continue reading THE SUICIDE SQUAD is a gory, beautiful reboot of the same old thing

M. Night Shyamalan gets OLD but everyone stays the same age

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

I was very aware of my heartbeat during Old, a new movie from M. Night Shyamalan, adapted from a graphic novel. A little of this awareness could be attributed to the movie’s free-floating tension, which is not so much punctuated by Shyamalan’s particularly dad-like strain of humor as it is inextricably woven together with it. Most of it could be attributed to the arrythmia that flares up once in a while, usually when I’m seated in a certain position. Our bodies are capable of so much resilience, not least in the field of disguising their essential fragility. Old understands this. It’s about a group of people trapped on a beach where, they eventually realize, their aging is rapidly accelerated. A lifespan of eightysomething years gets compressed into a day and a half, maybe two. This creates an unnerving paradox: The passage of time rapidly heals surface wounds, even substantial ones, into scars. The bodies simply don’t have time to bleed out. Time presses onward. And then, hours later, the bodies fail anyway.

Old is a horror movie, but not always how you’d expect. This is par for the course for Shyamalan, who has worked consistently in genre films since The Sixth Sense became an unexpected smash 22 years ago. That movie cast such a melancholy, spooky, affecting spell that it took a little time for some to catch on to Shyamalan’s deceptively weird rhythms, especially in his characters’ manner of speaking: Stilted phrasings, shoehorned exposition, dad jokes—like a George Lucas character somehow filtered through a hushed therapy session. In Shyamalan’s wilderness years, these clunky qualities proceeded to the foreground of Lady in the Water or The Last Airbender. In his more recent films, they haven’t receded, but Old may be a case of steering into the skid and coming out intact. As it turns out, his peculiar writing style fits near-perfectly for preteen kids, still finding their way with words. The younger characters approach strangers and ask for their names and occupations, at once a wholly believable quirk and a sneaky way of slipping in some of Shyamalan’s beloved expositional directness. As with The Visit, the kids feel like they’re speaking his language, fluently.

Continue reading M. Night Shyamalan gets OLD but everyone stays the same age

The SportsAlcohol.com Podcast: Oscars 2021!

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Oscars 2021 are finally here, which means Oscars 2021 are also finally nearly over! It’s been a long spring and a long awards season and a weird distended eligibility period, which has given us Marisa, Sara, Jesse, and Jeremy plenty of time to watch all of the Oscar contenders, except those that we just couldn’t get to. Just like years past, we are focusing on who we want to win across the biggest categories, with some bonus predictions and plenty of classic Oscar carping about what movies and performances should have been recognized by the ol’ Academy bluehairs! Be sure to listen to us before placing any virtual bets in your office’s virtual Oscar pool! (Assuming your Oscars 2021 pool is mainly about which cinematography Jesse likes best or which major-category rule most enrages Marisa.)

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

  • You can subscribe to our podcast using the rss feed.
  • I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
  • I don’t really know what Stitcher is, but we are also on Stitcher.
  • SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
  • You can download the mp3 of this episode directly here
  • Our most recent episode or two will sometimes be available on our Soundcloud
  • You can listen to the episode (and a bunch of great songs!) in the players below.

The 20 Best Movies of 2020

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Back in the fall, we were so uncertainly about the prospects of discussing the best movies of 2020 in a timely fashion that we decided to call it early and do a best-movies-of-the-year podcast in September. Who knew when anything would get back to normal, if ever? As it turns out, we’re well into 2021 and things still haven’t gotten back to normal (and no amount of pushing the Oscars into April has changed that). But something that stayed the same, albeit in weird and different shapes, were movies, in that there were good movies all through 2020, and in a hell year–hell, a hell-year-plus–that’s still worth talking about. So here we are, talking about the best movies of 2020 again; this time in writing, though a podcast will soon follow, too. And if we (I, Jesse) didn’t get this up until March, well, we’re still having the conversation earlier than the Oscars. That’s gotta count for something, right? Maybe in a few months, you can even start to think about how you might see revivals of these movies out in the real world again. The best movies of 2020 are here for you well into 2021 and beyond! Herewith, Sara, Marisa, Jeremy, Jesse, and Nathaniel talk about their collective favorites.
Continue reading The 20 Best Movies of 2020

COMING 2 AMERICA Sells Itself Short

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Sometimes, usually around the Super Bowl, an enterprising corporation will entice a famous actor to reprise a famous role for 30 or 60 seconds at a time. Whether it’s Jeff Bridges briefly returning to The Dude or Mike Myers and Dana Carvey doing one more Wayne’s World sketch, these reanimations can light up our nostalgia receptors with warm hit of recognition. They’re also commonplace enough to diminish with every passing year. The ads themselves may technically vary in cleverness, but most of them amount to a momentary spark, quickly dampened–whether by lame jokes, depressing shilling, or simply the cruel visibility of time’s passage. Coming 2 America, a 33-years-later sequel to one of Eddie Murphy’s better comedies, is like watching that type of Super Bowl ad for 105 minutes, give or take. Imagine how much dampening that involves.

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The SportsAlcohol.com Podcast: The Films of Martin Scorsese

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

For an episode so long in the works that we decided to make it two episodes, the SportsAlcohol.com film buddies decided to take on the filmography of Martin Scorsese. He doesn’t have a new movie out, and probably won’t until 2022, but we’ve been stuck inside for much of the past year, and Scorsese has such a rich (AND VARIED) filmography that it’s always a pleasure to go flipping back through it. Plus, Raging Bull recently turned 40, Goodfellas recently turned 30, and Casino recently turned 25! Scorsese has so many movies, you can find a significant anniversary virtually any year. So while you prep for the upcoming 10th anniversary of Hugo and 15th anniversary of The Departed, why not kick back with our career-spanning retrospective, wherein we have at least some form of discussion about every fiction film Martin Scorsese has ever made! We talk about the gangster ones, the pulp ones, the religious ones, the early ones, the Leo ones, and more! Do not let Jesse have watched Boxcar Bertha in vain!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast: