Tag Archives: movies

The SportsAlcohol.com Podcast: The Films of Martin Scorsese

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

For an episode so long in the works that we decided to make it two episodes, the SportsAlcohol.com film buddies decided to take on the filmography of Martin Scorsese. He doesn’t have a new movie out, and probably won’t until 2022, but we’ve been stuck inside for much of the past year, and Scorsese has such a rich (AND VARIED) filmography that it’s always a pleasure to go flipping back through it. Plus, Raging Bull recently turned 40, Goodfellas recently turned 30, and Casino recently turned 25! Scorsese has so many movies, you can find a significant anniversary virtually any year. So while you prep for the upcoming 10th anniversary of Hugo and 15th anniversary of The Departed, why not kick back with our career-spanning retrospective, wherein we have at least some form of discussion about every fiction film Martin Scorsese has ever made! We talk about the gangster ones, the pulp ones, the religious ones, the early ones, the Leo ones, and more! Do not let Jesse have watched Boxcar Bertha in vain!

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Women of Action: MONSTER HUNTER and SHADOW IN THE CLOUD

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

The recent movie Shadow in the Cloud sounds like it could be one of those occasional January miracles: an efficient, unpretentious genre mish-mash executed with no-fuss brawn and style. It’s about Maude Garrett (Chloe Grace Moretz), a WWII flight officer who hitches a last-minute ride on a bomber, where she is beset by sexism, then Japanese fighter planes, then gremlins. Shadow is so theoretically January-tastic that it dropped on the very first of the year, a rare release date made more feasible by the global pandemic, which has sent the film to first-run VOD as well as a few theaters simultaneously.

The hybrid release model is unusually appropriate for this movie; for its entire 83 minutes (or rather, for the 75 minutes it actually runs minus credits), it straddles the line between unusually ambitious, well-made trash and the chintzy direct-to-video garbage of old. The movie even provides its own convenient delineation: there’s the sizable chunk of the story confined to Maude’s cramped stay in the plane’s ball turret, communicating with her mostly-offscreen co-stars via radio, versus the mayhem-heavier sequences where she exits the ball turret to fight off those human-sized beasties. The filmmakers seem torn over whether its low-budget ridiculousness should be elegantly elided, or powered through with smash-and-grab energy.
Continue reading Women of Action: MONSTER HUNTER and SHADOW IN THE CLOUD

The SportsAlcohol.com Podcast: Wonder Woman 1984

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

What now seems like a solid century ago, we held a discussion about the 2017 smash hit Wonder Woman in the context of the modern superhero movie. Now Wonder Woman is back on the big screen but mainly on a bunch of small ones as Wonder Woman 1984 premieres on HBO Max to the delight/consternation of viewers, fans, critics, and Twitter People everywhere. A SportsAlcohol.com nerd crew of Rob, Jon, Jesse, and Marisa wade through our own reactions as well as some popular (and sometimes baffling!) internet gripes to discuss the pros and cons of Wonder Woman 1984, a sequel that, depending on your mileage, we may have liked more than you?! Listen up and find out!

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The SportsAlcohol.com Podcast: Robert Zemeckis

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Following up our recent career view of Sofia Coppola, the SportsAlcohol.com team turns their attention to a very different filmmaker, in celebration (?!) of the recent release (!?) of the new Robert Zemeckis version of The Witches. Experiencing this disappointment gave us an excuse to convene Marisa, Nathaniel, Jesse, and Jeremy, and talk about the ups and downs of this Spielberg protege, master craftsman, and low-key weirdo. It’s a long one, but we fulfill our usual goal of at least touching upon every feature film this director has made! Do you stump for Death Becomes Her? Hate Forrest Gump? Wonder what the hell was up with Welcome to Marwen? Have nightmares about The Polar Express? They’re all here!

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The Worst Movies of 2020

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Usually, around November of each year, I contribute a ballot of fifteen terrible movies to the A.V. Club, which they aggregate into a list of the year’s worst films. In 2020, owing to a slowdown in studio movies (which usually provide at least a few juicy targets) and overall feelings that the year has had enough pain and punishment without asking critics to relive their worst experiences, my editor decided not to do a Worst-Of list. Elsewhere, there’s a growing consensus that Worst-Of lists are pointless endeavors, designed to reward cheap and easy snark; the exact opposite of what a critic should do.

As Adam Sandler says in Uncut Gems: I disagree.

Worst-of lists are cathartic. There are all kinds of bad movies critics wind up watching out of curiosity, completism, assignment, or, if you’re a freelancer trying to cover some bases, the futile hope that you may be able to parlay having seen it into an assignment. Sometimes you just want to write a few words to try to process the experience. Also: if the most valuable function of best-of lists is to shine a spotlight on movies you think people should prioritize, is it not helpful to explain which movies you found particularly unworthy of the time it takes to watch them? I tend to be pretty loose with recommendations; if you want to see a movie, I say, you should just see it. Read my review afterward. I’m not a consumer guide; who knows what you’ll like? That said, sometimes there are movies that deserve special attention, and sometimes that attention is not positive.

So, because I’m happy to keep the bad vibes flowing, here are my personal choices for the worst movies of 2020. I’ve quoted from my review when a review exists; otherwise, I re-opened these wounds and let some blood flow.
Continue reading The Worst Movies of 2020

The SportsAlcohol.com Podcast: Sofia Coppola

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Sofia Coppola’s new movie On the Rocks dropped on Apple TV (and a few theaters, apparently), and with a worldwide pandemic still raging, it felt like a good time to stay in and rewatch her other six movies and talk about her 20-year career so far. So that’s just what Marisa, Sara, Jesse, and Jeremy did in a comprehensive conversation, appreciation, and career overview. The gang’s all here: Bill Murray! Kirsten Dunst! Guilded cages! The birth of Josh Hartnett’s dirtbag cool! Amazing soundtrack cues! Anachronisms! The Godfather Part III! A short-lived MTV series! And more! If you love the current Best Coppola’s work as much as we do, you won’t want to miss this one.

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The SportsAlcohol.com Podcast: What Makes Us Laugh

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Look, it’s been a long sort-of quarantine for everyone, including your friends at SportsAlcohol.com, and we haven’t all completed the projects we thought would be our silver linings for this extended period of inactivity. For example: Thinking we could all use some laughs during a pretty dark time, a bunch of us recorded a comedy-centric podcast about what makes us laugh, in the vein of our other episodes about what makes us cry or scared in movies and TV. We did this back in the spring, when it seemed like maybe we’d be dealing with a pandemic through the summer. Jesse’s neglect in editing this long but fun-filled episode turned out to be prescient, as it’s now almost six months later, and here we still are, dealing with the pandemic, and maybe still in need of laughs? So happy Election Day 2020, everyone! Here’s Marisa, Jesse, Nathaniel, Sara, Jeremy, and Jon talking about, and analyzing, the kind of comedy (well, mostly comedy) that makes us laugh now, has made us laugh in the past, and we hope will make us laugh again in the future.

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NYFF58 at Home Dispatch #1: Lovers Rock, Fauna, and The Calming

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

I’ve been attending the New York Film Festival for nearly a decade and, because of various scheduling factors and assignments, I’ve known it largely as a venue for splashy, high-end premieres of one sort or another. Even though many of the NYFF selections typically hit Cannes, Toronto, and/or Venice first, they’ll still, say, be the first place anywhere that shows Paul Thomas Anderson’s Inherent Vice, or Steven Spielberg’s Bridge of Spies, or Martin Scorsese’s The Irishman, under optimal conditions and maximum excitement. The Irishman is a perfect case in point, not just for the massive hype of a major fall movie shown for the first time, but for a more recent phenomenon: Last year especially, New York Film Fest became a go-to destination for catching movies that otherwise might not play on a big screen near you.

Of course, The Irishman and Marriage Story and the previous year’s Ballad of Buster Scruggs all did get theatrical engagements before their Netflix bows. But they were always tied up in uncertainty over which theaters would agree to Netflix’s shortened-window terms, and whether those theaters would give those movies anything better than token shoebox-auditorium engagements (Netflix seems semi-committed to theatrical releases for its prestige projects, but also reneges on promised splashiness like the thousands of screens that were supposed to show The Irishman). NYFF was a way for nervous cinephiles to make damn well sure they saw these movies on a big screen.

Now those concerns seem downright laughable. Wondering about whether a movie might play on big enough screens so that it might be experienced with a giant crowd of strangers? Ha, that’s pre-pandemic thinking, the concerns of a more innocent age! The New York Film Festival, like all but a very select few and foolhardy film concerns of the past six months, has moved online. The types of marquee features that might typically populate the opening, centerpiece, and closing slots have largely vacated the release calendar entirely, making a smaller, more streaming-friendly festival. Last year boasted the mid-fest world premiere of The Irishman. This year’s opening night? Part of a TV show Steve McQueen did for Amazon.
Continue reading NYFF58 at Home Dispatch #1: Lovers Rock, Fauna, and The Calming

The SportsAlcohol.com Podcast: The New Mutants

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Well, after two and a half years of trailers, blown release dates, rumored but nonexistent reshoots, good buzz, bad buzz, and corporate acquisitions, the movie event of the pandemic is finally here: The New Mutants is out in theaters to accidentally close out the X-Men movie series. Improbably enough, four core members of the SportsAlcohol.com brain trust found a way to see this movie safely without press screenings or VOD. (Please don’t go out to even a semi-crowded movie theater to see The New Mutants or anything else; it’s playing at drive-ins, and some theaters are doing private auditorium rentals, if you are so moved.) So naturally, Jesse, Marisa, Nathaniel, and designated X-pert Rob had to get together to discuss this momentous, uh, footnote to X-Men movie history. Consider this the long-delayed sequel to our last X-Men movie episode! And consider it our last episode about the Fox era of X-Men on film… or is it?!?! Consider this your starting buzz for a Magik spinoff in 2022!

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The SportsAlcohol.com Podcast: Top Movies of Summer 1990

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

It’s that time of year again… again! Your pals at SportsAlcohol.com have made an annual trip back 20 years to discuss the biggest summer movies of 2000, 1999, 1998, 1997, 1996, 1995, and 1994. While we’re hotly anticipating our review of Summer 2001 blockbusters to be recorded in 2021, we felt unfinished, moving on from the 1990s with several years left uncovered. So we decided to double up and jump back thirty years for a look at the top box-office earners (and a few others) from summer 1990. Yes, this means you have episodes about 2001 and 1991 to anticipate next summer. And you have a brand-new episode to listen to right now that includes Jesse, Marisa, Becca, Nathaniel, and Jeremy chatting about:

    • Hotshot doctors and lawyers! Like on TV!
    • Future Expendables Arnold, Bruce, and Mel!
    • Sequels back when sequels were mostly bad! (With two fantastic exceptions.)
    • Justice for Demi Moore!
    • The next Batman that wasn’t! Except for a few of us!
    • AND MORE!!!

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