Category Archives: Music

Guardians of the Galaxy Vol. 2 Soundtrack: I Still Feel the Same (Anti!)

Marisa
Gripes

Marisa

There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

Also, she is totally not a dude!
Marisa
Gripes

I know this is going to make me sound like a crotchety old lady who can’t lighten up and have fun, but we need to talk about the Guardians of the Galaxy Vol. 2 soundtrack. After the first movie blew up and its playlist hit the top of the Billboard charts, I ranted against the Guardians of the Galaxy Vol. 1 soundtrack. As time passed, I worried that, by calling the songs overdone and overplayed, I might have been missing the point. Maybe they were supposed to be like that? In college, when it would get nice out and everyone would sit outside on blankets on the lawn with tiny radios to play music, my friends and I started piecing together what we called The Generic Mix Tape, with those decade-agnostic tracks that transcend musical taste, like “Sweet Home Alabama” or “The Hurricane.” Maybe I’d overlooked some subtle nuance, and director James Gunn had been commenting on those kinds of songs with his Guardians needle drops.

Enter Vol. 2. Nope, I was right the first time. (Warning: The rest contains spoilers for Guardians of the Galaxy Vol. 2.)

Continue reading Guardians of the Galaxy Vol. 2 Soundtrack: I Still Feel the Same (Anti!)

The SportsAlcohol.com Podcast: Los Campesinos! Then and Now

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

You may have gathered from our obsessive list-making that we here at SportsAlcohol.com are in love with Los Campesinos! Naturally, our obsession didn’t end with listmaking. Rob, Jesse, Marisa, and Sara went out to see the band play in Brooklyn, then sat down for a conversation about the gig, new album Sick Scenes, the evolution of the band’s sound, and how indie rock itself was faring back in 2008 when the first Los Campesinos! record came out. You’ll also find out: How do we process rumors and our own fan-fiction about band members? What was in contention for Rob’s best-ever Valentine’s Day? Which LC! albums does Marisa find underrated? What did LC! newbie Sara think of all this? And what band does Rob reveal he hates (not the Eagles) (well, the Eagles, but also another one)?

How To Listen

We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

The 20 Best Los Campesinos! Songs (So Far): Our Post in Lists

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

You must know by now that we here at SportsAlcohol.com love a good list. And while some of our recent comprehensive career-spanning list projects have addressed legends or beloved modern masters, we also have plenty of indie rock cult favorites who we love and obsess over just as much. So when Los Campesinos! emerged from their longest band hiatus ever to put out their new record Sick Scenes and do a proper U.S. tour, the first thing we knew… well, OK, the first thing we knew was that Rob, Jesse, and Marisa were going to listen to Sick Scenes at least a thousand times collectively over the next year, and the second thing we knew was that we were going to get in the ol’ soft mosh pit for their New York City tourdate. But the third thing we knew was that we were going to enlist some fellow fans of this seven-piece English indie-punk-tweemocore band and put together a list of their best tunes. Because they have so many, and because we perpetually wish more people would pay attention to them. Then again, I won’t deny that it sometimes feels good to flat-out worship some obscure-by-top-40-standards indie rock outfit and glory in their continuing existence. As one of the write-ups mentions below: People who don’t dislike or ignore this band tend to love the ever-loving fuck out of this band. This, I think, is how indie rock stays alive – not by selling out Radio City Music Hall.

Though they’ve only been around for about a decade, Los Campesinos! have released six studio albums as well as at least an album’s worth of B-sides, rarities, EP tracks, and Christmas songs. And honestly, even if they weren’t closing in on 100 to choose from, many of their songs have such an explosion of wordflow, energy, vocal byplay, and shout-along hooks that a mere 10 or 15 would seem too few. So we decided to make this list a muscular 20 songs long. Happily, the results reflect our LC! fandom at their every stage, from the youthful brio of 2008’s Hold On Now, Youngster… to the dire break-up stories of Hello Sadness to their more reflective, but still exuberant, 2017 incarnation. So get to reading and get to listening and maybe get to weeping angrily, if that’s your thing. We also have a podcast about our experiences with this band in general and at their recent live show in particular, as well as some discussion of other indie rock that popped out back in 2008. But first, our day in lists.
Continue reading The 20 Best Los Campesinos! Songs (So Far): Our Post in Lists

The Best Disney Songs of All Time

Marisa
Gripes

Marisa

There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

Also, she is totally not a dude!
Marisa
Gripes

No matter your age, you probably hear Disney songs as part of your first exposure to real music. Those songs have stuck with you, for better or worse. But which ones were better, which ones were worse, and where to you fall on the “Feed the Birds” love/hate spectrum? SportsAlcohol.com did a deep dive, pre-Moana, into the Disney song canon.

The Top 20 Best Disney Songs of All Time (So Far)

Our Beloved Outliers

The SportsAlcohol.com Podcast: Disney Songs

Best of 2016!

Marisa
Gripes

Marisa

There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

Also, she is totally not a dude!
Marisa
Gripes

The year that was 2016 is over, and not a moment too soon. Do better, 2017. Until then, we’ll try to block out the worst moments of last year by reliving the best.

BEST MUSIC

The Top 6 Best Albums of 2016

The SportsAlcohol.com Album of the Year: Lemonade by Beyoncé

The SportsAlcohol.com Podcast: The Best Music of 2016

Track Marks: “Shut Up and Kiss Me” by Angel Olsen, “Berlin Got Blurry” by Parquet Courts, “I Can’t Stand You Anymore” by Sleigh Bells, “A 1,000 Times” by Hamilton Leithauser and Rostam, and “Cranes in the Sky” by Solange

BEST MOVIES

The Top 20 Best Movies of 2016

The SportsAlcohol.com Podcast: The Best Movies of 2016

BEST TELEVISION

The Top 12 Best TV Shows of 2016

The SportsAlcohol.com Podcast: Best Music of 2016

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Though we’re all eager to put 2016 in the rearview mirror, Rob, Sara, Marisa, and Jesse nonetheless got together to discuss the year in music on its way out: musician deaths, long-awaited returns, scrappy little sisters, and everything in between. This is our Best Music of 2016 podcast and it’s a good one, but we are glad it’s over.

How To Listen

We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

The SportsAlcohol.com Album of the Year: LEMONADE by Beyoncé

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

In a fragmented, subgenre’d, and mix-heavy music culture, it’s notable whenever a full album is able to grab some attention for its full damn self, not just its killer singles or release strategy or guest stars or endless delays. Beyoncé’s Lemonade is such a record, showing up on all four individual SportsAlcohol Best of 2016 lists and warranting the kind of track-by-track exploration we last applied to the St. Vincent album in 2014. This does make us four white people talking extensively about Beyoncé, so we should preface this post, and our upcoming music-of-2016 podcast, by saying please go check this out. And then check out our albums six through two for 2016. And then enjoy four indie rockers drinking up Lemonade.
Continue reading The SportsAlcohol.com Album of the Year: LEMONADE by Beyoncé

SportsAlcohol.com’s Top Six Best Albums of 2016

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

The SportsAlcohol.com music core is small but passionate, which means rather than issuing a bloated Top 50 Records of 2016, we’ve gotten it down to a simple six. There were other good, very good, even great albums that came out last year, but these are the half-dozen that meant the most to us, that we kept coming back to throughout the year, even when said albums didn’t arrive until relatively late in the game. If there’s a theme here, it’s veteran musicians returning to the fold in new, exciting, inventive ways that validated our initial love for a diverse range of old albums. Maybe that means we’re all past our prime, looking to past favorites for comfort. But I don’t think anyone could listen to these six albums and come away thinking that any of these artists are relying on past glories. 2016 is over; let it live on in these albums (and perhaps no other ways).

The Top Six Best Albums of 2016

Continue reading SportsAlcohol.com’s Top Six Best Albums of 2016

TRACK MARKS, BEST OF 2016: “SHUT UP KISS ME” BY ANGEL OLSEN

Sara

Sara

Sara is big into reading and writing fiction like it's her job, because it is. That doesn't mean she isn't real as it gets. She loves real stuff like polka dots, indie rock, and underground fight clubs. I may have made some of that up. I don't know her that well. You can tell she didn't just write this in the third person because if she had written it there would have been less suspect sentence construction.
Sara

This was a good year, musically speaking, for women on a tear (which is heartening, because we’re going to need them if we’re getting through the next four). In addition to the ones who made our albums of the year list (no spoilers here!), there was the spiky art rock of Thao & the Get Down Stay Down, the electric alienating fuzz of Mitski, and the shimmering delicacy of Springtime Carnivore. It’s probably no great coincidence that many of these records were borne from painful separations, both from lovers and family, and Angel Olsen’s MY WOMAN might be the most surprising of them all for previous fans of her work: the album feels as much like a departure as the apex of her many talents, from the unexpectedly slinky opener “Intern” through the seven-minute sprawl of “Sister” and beyond. But on no track is this artistic volatility better exemplified than “Shut Up Kiss Me,” the most immediately arresting song on the record and also the most vulnerable.

At first listen it seems all insouciant demands: “I ain’t hanging up this ti-i-ime/I ain’t giving up toni-i-ight” is the gauntlet thrown down at the very start and it doesn’t let up over its lean 3:22 runtime, with Olsen’s voice at its most seductive and rock n’ roll snotty. But don’t let her cheeky attitude and sparkly wig in the video fool you. As with many things in life, the brazen come-ons mask a deep well of insecurity and pain, and the posturing gradually gives way to exasperation. “It’s all over baby, but I’m still young,” she repeats desperately at the song’s end, backed by her own insistent wailing, and it’s unclear at that point if she’s even still reaching out to her fickle, frustrating lover. In a year that saw so much apocalyptic upheaval it’s as good a rallying cry as any, not unlike Janis Joplin’s exhortation to “get it while you can.” Intimacy is vital to our shared humanity, even when it’s begged for. And when it’s the end times, whether in your own world or the one at large, what point is there in waiting?

TRACK MARKS BEST OF 2016: “Berlin Got Blurry” by Parquet Courts

Marisa
Gripes

Marisa

There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

Also, she is totally not a dude!
Marisa
Gripes

Non-story of 2016: How good some regular ol’ dude-fronted rock bands were. (That is non-news of such little consequence I’m surprised the New York Times didn’t cover it.) I quite enjoyed the albums of Car Seat Headrest, Public Access T.V., Modern Baseball, and, of course, Parquet Courts.

Parquet Courts is a little different from the others in that half the time they seem like they’re just screwing around. Well, they always seem like they’re at least partially screwing around, but half the time it feels like the joke is on me. But then, when they get the chance to focus up, they come up with something like “Berlin Got Blurry,” and I want to shake them and ask them why they don’t write songs like that all the damn time.

It has, like the best Parquet Courts songs, references to food—fries, hot dogs, ketchup, and, since it’s about being a foreigner traveling in Berlin, döner. But between the travelogue of treats, the band drops really elegant bits of wisdom (“It feels so effortless to be a stranger/But feeling foreign is such a lonely habit”) or really well-crafted lines (love the internal rhyming of “Kind ears captive to the beers you’ve purchased”).

It’s not deep, but it’s upbeat, moving along at a jaunty pace. Like being a stranger in a strange land, it’s fun for a short time.