Rob is one of the founders of SportsAlcohol.com. He is a recent first time home buyer and it's all he talks about. Said home is in his hometown in Upstate New York. He never moved away and works a job to pay for his mortgage and crippling chicken wing addiction. He is not what you would call a go-getter. This may explain the general tone of SportsAlcohol.com.
Latest posts by Rob (see all)
You are messing up my twitter
For the reasons outlined below, I’ve already decided not to watch the Grammys. That doesn’t mean that I’m not going to check in on my social media at some point. People are always using the internet to post things I’m not interested in, but I was taken aback about how many people care about the Grammys in this day and age. I don’t need to hear about how Macklemore is overrated or underrated. I don’t need to hear pretty much anything about Taylor Swift ever again. I have nothing against these people, but I hear more than enough than any person needs to about both of them by virtue of the fact that I’m an American with an internet connection. The night of the Grammys, I’m somehow getting extra Macklemore & T Swift in my life. All I wanted was to check the news and I was just flooded. I come into work the next day (the in person version of twitter and facebook) and everyone is still talking about it. I can’t escape.
Sherlock was on!
The night of The Grammys was the American broadcast premiere of the one where John gets married. I don’t care if you were one of those people who used Dirty Internet Tricks to watch the episode beforehand or one of those people who doesn’t care about Sherlock. IT WAS THE ONE WITH JOHN’S WEDDING. The shortest stag party ever. The best best man’s speech ever. Sherlock thinking his morning tea just appeared. That hug! Mrs. Hudson’s hat! Molly’s bow! And yes, there was also a clever mystery of some sort. Something so much better was on TV for the whole land to see, even if you were seeing it for the second time. I also watched Downton Abby and it was maybe the best episode of this lackluster season, but I wouldn’t fault you for not watching that.
Why were you surprised there wasn’t a real Lou Reed Tribute?
One of the things that people complained about was the lack of a true tribute to Lou Reed beyond whatever weird thing Metallica did. Lou Reed was a true rock iconoclast. His work was dedicated to deconstructing all that came before and building something new from the wreckage. His influence was greatly responsible for the garage, punk, post-punk, alternative, and indie movements (among others). He was basically the godfather of all the recording industry was against in the 70’s and 80’s before they figured out how to profit off of it. There’s nothing the Grammy’s could have done to properly honor his legacy, especially paying him tribute. I’m not interested in the Grammys because they are structurally unable to appreciate Lou Reed.
If you have an opinion about this, it is meaningless
Just look at this list. Eighty-Two Categories! How can you get mad that “Royals” lost Record of The Year when it won Song of The Year? Do you even know what the difference is? Scroll farther down and see how ridiculous some of those categories are. Don’t forget that there’s also a Latin Grammys on top of this. If you created an award show you cared about, is this how you would structure it? In some ways, all awards shows are meaningless. The Grammys seems to elevate this meaninglessness to new heights. I want to be upset about how much crap gets honored over what I like, but it’s nothing to get worked up about.
It’s not even fun
This structural issue also means that you can’t easily do a Grammy pool. Think about it. Do you know anyone who has a Grammy party like people have Oscar parties? In my cantankerous old age, I have soured on awards shows in general (obvious, I know). That being said, I can understand the fun of an Oscar party. I think a Grammy party is my version of hell.
Feeding The Beast
The Grammys are like Tinkerbell: they only exist because you believe in them and clap real hard. Maybe we should demand something better. Instead, this wave of social media I was inundated with perpetuates them. In a day and age when DVRs should help us from staying up late on a Sunday, people instead watch awards shows live for the express purpose of live tweeting and interacting with other live tweeters. This creates trending topics in social media and breathes new life into events that should be passing by the wayside. The internet was supposed to give us the tools to create and explore what we wanted on our own without corporate interests gatekeeping. Right now, we’re stuck in a feedback loop and it’s painful.
This is the 21st Century
I don’t think that technology killed music, but it did deal a mighty blow the music business. The Grammys are just a leftover of a bygone era. They have tried to adapt by downplaying the actual awards and promoting the types of performances other ceremonies have been doing for years. Some of them are even enjoyable. But why sit through hours of acceptance speeches and stuff you don’t care about to maybe catch something inspired when I promise you it will be online the next day, even the dope commercials.
Death to the record industry!
I’m sorry. I know how this last part makes me sound, but it’s a pretty inescapable truth. The Grammys never are and never were a celebration of music. They are a celebration of the recording industry as it existed in the previous century. At some point, their business model shifted from exploiting artists to protecting the intellectual property those exploited artists generated. For decades major record labels leveraged their recording, distribution, and promotion resources to create a system where they profited much more than the actual music makers. In an era when all of those activities can be done to some extent in a bedroom with a personal computer, we should question what value the corporate music industry provides and why we would want to celebrate that.