All posts by Jesse

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Watching Mel Gibson Again: DRAGGED ACROSS CONCRETE

Mel Gibson was “canceled” in Hollywood before “canceled” was really a thing that could be done to a person instead of a TV show, but in a weird way, his shunning was (for lack of a better phrase) well-timed, beyond even the apparent breaking point of his drunken violence, misogyny, and anti-Semitism. Gibson didn’t really fall from grace until the mid-2000s, saving him the trouble of adapting to a re-aligned movie-star economy. His ‘90s peers in superstardom dealt with it in different ways: Julia Roberts stepped back, Tom Cruise tried to push forward like nothing had changed, and Tom Hanks made a graceful transition to late-middle-aged muse-following (give or take a terrible Dan Brown adaptation or three). Gibson seemed to be pivoting to directing when he made the torturous megahit The Passion of the Christ and the less mega (but also less tedious, honestly probably career-beest) Apocalypto, but after his star fell, he seemed keen on pivoting back into movie-star pulp and/or image maintenance. Audiences mostly stayed away, except for his recent part in the recent Will Ferrell/Mark Wahlberg sequel Daddy’s Home 2.
Continue reading Watching Mel Gibson Again: DRAGGED ACROSS CONCRETE

GLORIA BELL: Is it time for Generation X to get its groove back?!

Sebastián Lelio’s Gloria Bell, a remake of his Chilean film Gloria from six years ago, follows the broad outline of a light dramedy about a middle-aged woman getting, as the Terry McMillan phrase goes, her groove back. Gloria (Julianne Moore) is fiftysomething, gainfully employed, outwardly cheerful and maybe a little bit lonely. Her children are grown, her divorce long since finalized, and she even has a cute-movie-ready hobby: We first see her out at a dance club, populated by other middle-aged folks, eyes searching and hopeful. She likes to dance, though a lot of her moves are tentative.

Early in the movie, Gloria meets Arnold (John Turturro). They dance together, and soon they’re in a bona fide relationship–passionate, but seemingly with potential that extends beyond a sexy post-club fling. Re-energized sex life… romantic restaurants… her groove! Is it back?! But with the basic framework of a middle-age-revitalization story in place, Lelio feels free to dance around it. Stories like this, especially when they’re focused on providing some degree of fantastical wish-fulfillment, are often belabored with exposition about the protagonist’s normal, perhaps humdrum life. In Gloria Bell, we learn a lot of details about Gloria’s life with a quickness and a clarity that recalls Greta Gerwig or Noah Baumbach (he even captures Moore singing along in her car, alone, in a few shots that recall the intimacy of Gerwig’s earliest moments in Baumbach’s Greenberg). She works for some kind of insurance firm, mostly on the phones. Her young-ish son (Michael Cera) is a single parent to an infant. Gloria does not own a cat, but a hairless one keeps slipping into her apartment somehow. All of this plays out in concise and well-observed micro-scenes, with a near pathological avoidance of overstaying their welcome.
Continue reading GLORIA BELL: Is it time for Generation X to get its groove back?!

The SportsAlcohol.com Podcast: High Flying Bird

The SportsAlcohol.com affinity for Steve Soderbergh has been well-documented, and then Soderbergh had to go and do something to entice us even more: He put out a movie on Netflix that we could all watch, about sports (Rob), business (Ben), and the commodification of the body, again (everyone!) that reminded some people of Moneyball (Rob again). So naturally, Marisa, Jesse, Rob, and Ben convened a podcast summit to talk this all out. How does this stack up to past Soderbergh triumphs? Is this the Moneyball we deserve? Will we ever seize the means of production?! Listen to our crisp DIY episode (and our sportiest episode ever!) and find out!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

Is Neil Jordan’s GRETA deliciously bonkers, or just kind of bad?

Neil Jordan’s new movie Greta is a thriller in which a just-graduated young woman (Chloe Grace Moretz), still grieving from the death of her mother, finds herself bedeviled by Greta (Isabelle Huppert), an older woman who initially appears to be a sweet surrogate mom figure but turns out to be a dangerous obsessive. It’s the stuff early-’90s stalker movies were made of, and the throwback angle combined with access to new technology and Jordan’s considerable talent, not to mention a plum role for Huppert, give the movie a buzz of anticipation as it starts to unfold.

That buzz grows dimmer and more erratic as the movie explores the life of Frances (Moretz), who has moved to New York (played mostly by Canada and Ireland) to share a fancy Tribeca apartment with her spoiled best friend Erica (Maika Monroe). The two women speak mostly in awkward exposition, like, well, a couple of middle-aged guys making their best guess at what 22-year-olds sound like. Restless and unsure of herself in the big city, Frances finds a purse abandoned on the 6 train. She tracks down the owner, Huppert’s Greta, who invites her into her charming little house (of undetermined location) for tea. Soon Frances is going to dinner with Greta and helping her adopt a dog, as Erica rolls her eyes over her friend’s weird social engagements.
Continue reading Is Neil Jordan’s GRETA deliciously bonkers, or just kind of bad?

How to Train Your Dragon 3, Lego Movie 2, and kid movies that won’t grow up

Given the logistical undertaking of making a movie franchise out of big-studio animation, it must be a blessed relief not to have to include live-action performers in the mix. Voice actors can often fit their performances into packed schedules, they can change their appearance without affecting production, they can let natural aging take its course—and if the studio’s hand is forced, they can be replaced with minimal fuss.

It’s notable, then, that the sequels to the 2010 film How to Train Your Dragon have decided not to take advantage of the medium’s potential for eternal youth. The first movie is about a Viking teenager’s bond with the dragon he’s supposed to be hunting; in the sequels, released in 2014 and now in 2019, the boy ages more or less in parallel with the passage of real-world time. He’s taller and more assured in How to Train Your Dragon 2, and in The Hidden World he’s old enough to lead his tribe and think about getting married. Another recent (mostly) animated sequel aimed at kids, The Lego Movie 2, also works the passage of five years into its storyline. The walking, talking Lego minifigs who populate the movie don’t suffer much wear and tear, but in the movie’s parallel live-action storyline, the boy from the first movie is now approaching teen-hood—and his shifting interests are an engine of the sequel’s plot.
Continue reading How to Train Your Dragon 3, Lego Movie 2, and kid movies that won’t grow up

DIRTY COMPUTER is our album of the year. Here’s why.

JESSE:
So generally we don’t cover the Grammys very much here on SportsAlcohol.com except for the occasional entreaty to Maybe Just Don’t. But the Grammys do provide an awkwardly timed opportunity to reflect on the best music of an awkwardly constructed eligibility period that we will simplify to just “2018” (although, real talk: did any of us love an album that came out in November or December of last year?). And as it happens, the general consensus choice for SportsAlcohol.com Album of the Year is, in fact, nominated for a Grammy! That would be Janelle Monáe’s Dirty Computer, which is one of this year’s eight nominees for Album of the Year. Why are there eight this year instead of the usual five? Because otherwise there might not be room for the Post Malone album, of course! (Seriously though, I have no idea. Was 2019 the year that the Grammy Olds were finally like “hey, there’s a LOT of music out there? What with the Post Malone album, et cetera”? In the words of a diffident, opaque Lorne Michaels: Why now?)
Continue reading DIRTY COMPUTER is our album of the year. Here’s why.

The SportsAlcohol.com Podcast: The Best Movies of 2018

Now that you’ve read our list of the best movies of 2018 (right? right??), it’s time to hear us justify our choices! Marisa, Sara, Nathaniel, and Jesse got together to count down our list, talk about our choices, where we were unanimous, where we disagreed, and what outlier picks we wish everyone else as much. It’s a brisk overview of an unusually strong year in film, so go ahead and listen in and figure out what the deal with this Stalin guy is.

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

The Best Movies of 2018

Our list of the best movies of 2018 didn’t have to be 15 titles. It could have been 20, or 25, or 30, because all four of the core SportsAlcohol.com movie-watchers had plenty of choices for our individual lists from a year with no shortage of smart, entertaining, galvanizing, beautiful, traumatizing, exciting, and otherwise distinctive 2018 releases. But these choices for the 15 best movies of 2018 are the ones that found a kinda-sorta consensus among the four of us. They aren’t all on every list, but they’re still the 2018 movies that some portion of us, occasionally of us, bonded over in some way. So grab a friend and check out these particularly unifying pictures.
Continue reading The Best Movies of 2018

The SportsAlcohol.com Podcast: Spider-Man Movies, Ranked

Longtime readers and listeners of the SportsAlcohol.com World Wide Web Brand may have noticed that we kinda dig on Spider-Man. In fact, one of our most popular pieces ever, and the site of our only (so far) bona fide comment war is about Spider-Man 3; our first-ever podcast episode was about The Amazing Spider-Man 2, and we’ve recorded on related films since then; Rob has written about Betty Brant while Marisa has written about the songs of Spider-Man.

So yeah, we dig on this.

To celebrate the release of Spider-Man: Into the Spider-Verse, we did something different: Marisa, Rob, and Jesse threw together a straw poll to rank out every major Spider-Man and Spider-Man-adjacent movie of the past 20 years. That’s right: In this podcast, we talk about them all. The animated highs! The amazing lows! The venomous middles! It’s all here, in a compact hour-long episode with multiple post-credit scenes! Basically, it’s a Spider-Man extravaganza for our new age of superhero abundance. It’s the next best thing to what I know you’ve all been craving: PICTURES OF SPIDER-MAN. While you wait for your photographer to come back with those, have a listen to us!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

The SportsAlcohol.com MiniPodcast: Second Act

Typically, the SportsAlcohol.com podcast does overviews: of directors, of stars, of full TV seasons, of a year or decade’s worth of pop culture. But as part of our miniseries look at business movies, Jesse and Ben decided to rush into the studio right after watching a screening of the new Jennifer Lopez movie Second Act and discuss it, just like we discussed Pretty Woman and The Secret of My Success, among others. Only this time, there’s no science fiction… except that which this Jennifer Lopez vehicle provides.

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast: