All posts by Jesse

Jesse

The SportsAlcohol.com Podcast: Saturday Night Live at the Movies

Hey, have you guys heard about the new Ghostbusters movie coming out this week? Many of the film’s cast members have one obvious thing in common… that’s right, many of them were on Saturday Night Live (is there some other difference you were thinking of?). The casting of Kristen Wiig, Kate McKinnon, Leslie Jones, and (in a supporting role) Cecily Strong establishes a clear lineage with the 1984 original, which featured Bill Murray and Dan Aykroyd acting out (and riffing on) an Aykroyd-cowritten script. The first film remains one of the most successful to star Saturday Night Live alumni, which got your SportsAlcohol.com crew thinking about how cast members on that program have made the transition into movies. Nathaniel, Sara, Marisa, Jesse, and Jon got together to talk about this rich history for roughly the length of a Saturday Night Live episode to talk about official SNL movies, unofficial SNL movies, and a whole lot of actors.

Listen and find the answers to the following questions, and more!

  • Does Mike Myers work without makeup?
  • Which one of us saw Bordello of Blood in the theaters?
  • How young is too young to watch Beverly Hills Cop?
  • What movie is an even less distilled expression of Aykroyd-ness than Ghostbusters?
  • Have Tina Fey and Amy Poehler really made it in the movies yet?
  • Which SNL players do we want to see star in their own movie?

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The SportsAlcohol.com Podcast: Independence Day: Resurgence and Long-Gap Sequels

Happy almost Independence Day! And, perhaps, less-happy Independence Day! That’s right, the 1996 blockbuster is back with Independence Day: Resurgence, a direct sequel that’s already underperforming compared to the original (at least at the U.S. box office). Undeterred by bad buzz or lack of press screenings, Marisa, Nathaniel, and Jesse went to see it, then reconvened to discuss the movie, as well as what goes into an effective twenty-years-later sequel. We talk about what we thought of Independence Day: Resurgence, of course, but we also touch upon Star Wars, Indiana Jones, Dumber and Dumber, Wild Wild West, Space Jam, and lots of other stuff you might not expect.

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WIENER-DOG inspires the bold question: Does Todd Solondz hate us?

Twenty years on, and I’m still having trouble getting a bead on Todd Solondz. Wiener-Dog is not exactly a twenty-years-later sequel to 1996’s Welcome to the Dollhouse to accompany this weekend’s twenty-years-later sequel to 1996’s Independence Day. Yet briefly, it totally is. One quarter of the movie’s dog-connected anthology follows Dawn Wiener, the awkward twelve-year-old played by Heather Matarazzo in Dollhouse, as a thirtysomething woman played by Greta Gerwig.

Close followers of Solondz’s work will not a discrepancy: We were told at the outset of his film Palindromes that Wiener gained a bunch of weight and killed herself. It was a non-grace note in a movie that wasn’t even about Dawn Wiener, but did have its main character (her cousin) played by eight different performers. Since that movie, he made one called Life During Wartime that is a direct sequel to the movie Happiness, except with every single character recast. In Dark Horse, Selma Blair quietly reprises a character she played in Storytelling who no longer looks or acts much like she did in the earlier film. The title of the Dawn-resurrecting Wiener-Dog is also the cruel nickname the character was given at school in Dollhouse, but here actually refers to an actual wiener-dog, who scampers through a series of owners, including Dawn Wiener.

So, again I ask: What the hell is going on with Todd Solondz? Does he think of his filmography as an ongoing, mutating art project, where recasting characters throws them into ever more fascinating contexts? Or do a lot of actors not want to work with him again? Does he compulsively revisit aspects of Dollhouse to tweak expectations about how his movies will compare to his still-biggest success? Or can he not leave well enough alone? And am I being a nerdy pedant for finding it kind of annoying, for not ginning up the interest to see Life During Wartime because I thought Happiness was great and had no desire to see a different rep company inhabit and sequelize those roles?
Continue reading WIENER-DOG inspires the bold question: Does Todd Solondz hate us?

The Top 25 Best Radiohead Songs

Let’s reflect for a moment on the beautiful oddity that Radiohead remains one of the biggest rock bands in the world, at a time when the very concept of “biggest rock band in the world” is often looked at as passé. If rock and roll’s moment has indeed passed, what in the name of the Beatles possesses people to follow Radiohead, of all artists, as if members of a religious cult, especially because said religious cult would not particularly worship rock and roll music as most people know it? It would be easy to ascribe the Radiohead following to their shapeshifting, and indeed there is an incredible variety of material across their nine-so-far records and various EPs, live cuts, and so forth. Yet it’s not as if A Moon Shaped Pool, their 2016 album and first in five years, is wildly unrecognizable as the same band that made The King of Limbs, which itself was not so radically different from In Rainbows, and so on, all the way back to the late ’90s (I’ll grant you that, OK, Pablo Honey sounds like a vastly different band, albeit an actually-pretty-good one; better, certainly, than the practitioners of Old Radiohead that cropped up in the early ’00s, a litany of Nerf Herders and Saves the Days to Radiohead’s Weezer).

In fact, it’s their ability to remain recognizably the Radiohead of the ’90s while going in different directions that makes them so exciting. A new Radiohead album, insular and strange and inscrutable as it can be, is still an event, the band’s mutations allowing it to survive the alt-rock boom, the rap-rock bust, the indie gold rush, the death of the album, and on and on. It was a no-brainer, then, that some of the founders, friends, and associates of SportsAlcohol.com would want to pledge our allegiance to the paranoid humanoids of Radiohead once again, through a list celebrating their best songs. Contributors were asked to send a ranked list of twenty; points were assigned accordingly.

In addition to your pals Rob, Marisa, Jesse, Sara, and special guest writer Maggie, we recruited a voting team ranging from people old enough to remember “Creep” playing on MTV to people who were born the year The Bends came out. Here are your Radiohead fans par excellence:

Darian Alexander is an attorney and Radiohead correspondent for Slate.
Emma Bennett is studying psychology and studio art at SUNY New Paltz.
Noah Casner is a drama major at New York University.
Timothy DeLizza is a lawyer, a fiction writer, and a gentleman.
A.A. Dowd is the film editor for The Onion’s A.V. Club.
Derrick Hart is an archivist and music fan.
Kate McKean is a literary agent, writer, and crafter.
Umer Piracha might love A Moon Shaped Pool more than anyone else who voted.
Ben Ross has had Radiohead blurbs locked and loaded for years.

The results heavily favored OK Computer, but well over half of Radiohead’s catalog received votes, including most of the new album. But why discuss the results when you can read a series of varied and passionate tributes to our collective favorites? Sometimes we had such varied and passionate responses that we doubled up the blurbing to get a fuller picture of this band we all love. Surprises, please:

The Top 25 Best Radiohead Songs (So Far)

Continue reading The Top 25 Best Radiohead Songs

The SportsAlcohol.com Podcast: Peak TV Season Wrap-Up, 2015-2016

Summer doesn’t just mean blockbuster movies; it also brings about the official end of the TV season. Even though the era of “peak TV” means that the traditional TV-season model is crumbling, we still thought the summer would be a good time to circle back and examine some shows and trends from the past nine months. We talk about shows we love and shows we think get too much love! Where do Last Week Tonight, Girls, The Last Man on Earth, Better Call Saul, Brooklyn Nine-Nine, Crazy Ex-Girlfriend, The People vs. OJ Simpson, Catastrophe, and, yes, Love fall on that spectrum? Listen to Marisa, Sara, Nathaniel, and Jesse talking TV to find out!

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The SportsAlcohol.com Podcast: Summer Movies from 1996

Summer is here! It may not technically start until June, but Memorial Day Weekend is sort of the cultural kick-off to summer. It used to be when the first big summer movies would start to roll out, but those have been moved up to the first weekend in May. Our latest podcast throws back to a time when that tradition wasn’t quite in place; as per our now-annual tradition, we took a look back at the ten highest-grossing movies from summer 1996. Summer 1996 saw the release of a variety of audience favorites and forgotten non-gems; please enjoy our thoughts about a bunch of old movies and in some cases, what we were up to twenty years ago. What’s our favorite Michael Bay movie? What summer 1996 movies wouldn’t fly today? Which stars had hot streaks continue or crash and burn? These are the questions this podcast will endeavor to answer.

Spoiler Warning: Lots of spoilers for movies that are two decades old.

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The SportsAlcohol.com Podcast: Richard Linklater, Everybody Wants Some!!, and Sing Street

When did April change over from the cruelest month into the best movie month of the year?! Nathaniel, Sara, Marisa, and Jesse all saw Everybody Wants Some!! and Sing Street and wanted to talk about their common ground, as well as the careers of their respective directors: Richard Linklater and John Carney. Listen to our wide-ranging discussion and find out:

  • What we like best about Linklater
  • If any of us have seen The Newton Boys
  • What movies (besides Once) Sing Street brought to mind
  • Whether we could stomach hanging out with the baseball team from Everybody Wants Some!!
  • Our bizarre next assignment for John Carney

Spoiler Warning: We talk about the endings of both movies.

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The SportsAlcohol.com Podcast: The X-Files, Fuller House, and TV Revivals

Have you guys noticed that no television shows actually die out these days? Whether they’ve been gone for a few months, a few seasons, or a few decades, almost everything gets revived, including recent resurrections of ’90s favorites like Full House (via Fuller House on Netflix) and The X-Files (via… The X-Files, again, on Fox). Marisa, Jesse, and Nathaniel watched all of the new X-Files and some of Fuller House (tune in to hear who watched all thirteen episodes!), then got together to discuss this trend: other examples and forms of TV revivals, whether it’s worth it for these shows or in general, and how we feel about the future of television revivals, reunions, and resurrections. Also, find out just how insulting Jesse can be to the memory of Full House!

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Knight of Cups: Terrence Malick Does Hollywood

With Knight of Cups, this decade officially becomes the most prolific of writer-director Terrence Malick’s career. Granted, his third film of the 2010s just barely edges out his previous high-water mark of two, reached in the 1970s when he made both Badlands and Days of Heaven. But still: even if Malick’s already-shot next film doesn’t emerge for another few years (it and Cups were shot back-to-back in 2012, the same year their predecessor To the Wonder emerged at festivals after shooting almost two years earlier), it will presumably come out before 2020, and this decade will be the one where Malick increased his filmography by a full one hundred percent.

Watching Knight of Cups, I found myself thinking of Malick’s extended gap time. Not because this movie made me long for another extended sabbatical (and also: more on that later), but because after a movie out on the plains and another movie in the Texas suburbs (and also at the beginning of the universe) and another movie set during the settling (or resettling) of America, here is a Malick movie that takes place mostly in Los Angeles. Malick goes to Hollywood! There’s even a section in Las Vegas. Malick goes to Vegas, guys! And let me tell you: if ever there was a use for Las Vegas, it is Terrence Malick shooting it like he’s making some kind of nature documentary, which possibly he is, because possibly he always is.
Continue reading Knight of Cups: Terrence Malick Does Hollywood

The SportsAlcohol.com Podcast: Oscars So What?

Complaining about the Academy Awards has become a national pastime nearly as popular as watching the Academy Awards. SportsAlcohol.com mainstay cinephiles Nathaniel, Sara, Marisa, and Jesse got together to watch the Oscars this year, and beforehand sat down to talk about awards from Oscars past that we would have given and wished had never been given. This is not a recap of the 2016 ceremony; in fact, we talk about why that kind of dissection would stop being interesting about two minutes after the ceremony ends. Instead, we had a general discussion of what, if any, function the Academy Awards have in this day and age, as well as some of our overlooked favorites and personal vendettas. It’s shorter and (we hope?) maybe a little funnier than most Oscar ceremonies so finish off the season by giving us a listen.

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