Tag Archives: tv

The SportsAlcohol.com Podcast: Riverdale, Season 2

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Hey, remember how last year we watched Riverdale all season long and then wanted to talk about it? Well, your SportsAlcohol.com Riverdale fan club may be down a member (I see you, Maggie) (and I understand) but a bunch of us are still watching this hot teen mess and we needed to talk it out: the ever-metastasizing stupidity of Archie, the evil lurking inside Betty (IS IT, THOUGH?), the gang obsession of Jughead, and whether or not Veronica is, in Marisa’s words, “pulling an Orphan.” In this brisk, enthusiastic episode, we find things to praise about Riverdale Season 2 among our many complaints and questions. Psyched for Season 3, guys!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

  • The SportsAlcohol.com Podcast: SNL Midseason Check-In 2018

    Jesse

    Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

    The SportsAlcohol.com crew includes a lot of regular Saturday Night Live viewers, so we’ve made it an annual tradition to get together and check in with the show at various points to see how it’s doing. We can do this because a famous space cowboy is hosting, or a famous piece of total garbage is hosting, or because that famous piece of garbage is president now and must be repeatedly addressed by the show, or, this year, because WE LOVE YOU NATALIE. So Marisa, Nathaniel, Michael, and Jesse stayed up even later than usual after the recent Natalie Portman-hosted episode of SNL to podcast about this most recent episode (the show’s last for about a month), the recent run of episodes including hosting gigs by Will Ferrell, Jessica Chastain, and Sam Rockwell, and how Season 43 has been going so far: in politics, in cast members, in sketches that only a handful of people love. If you’re a fan of the show, you’ll probably enjoy hearing us yak about what we love and hate. NOW SAY SOMETHING NICE ABOUT JAR JAR BINKS.

    We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

    The SportsAlcohol.com Podcast: Best TV of 2017

    Jesse

    Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

    Hey, you guys watch TV, right? So do your pals at SportsAlcohol.com, so Marisa, Sara, Nathaniel, and Jesse got together for an end-of-year TV podcast where we discuss our recent Top 12 list and go beyond it, talking about shows that didn’t make the cut, and sometimes offering different opinions than those offered in our blurbs. Curious what we thought about recent episodes of Riverdale or what we loved/hated about the second season of Master of None or who loved Twin Peaks the most? This is the TV podcast for you.

    We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

    Halt and Catch Fire Reaction, “Who Needs a Guy?”: Dry Your Eyes

    Marisa
    Gripes

    Marisa

    There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

    Also, she is totally not a dude!
    Marisa
    Gripes

    Latest posts by Marisa (see all)

    Halt and Catch Fire is an interesting way to take the temperature of our current television climate. It is a very, very good show, with all of the hallmarks of a prestige cable drama, and yet it’s nobody’s favorite. Still, we’ve been covering Halt and Catch Fire since the first season, and Marisa has always found something about it that spoke to her personally, so she decided to write about the individual episodes as it heads into its final stretch. Read her reaction to the previous episode, “A Connection Is Made,” here

    Halt and Catch Fire isn’t really a show that depends on being spoiler-free, but if you haven’t seen “Who Needs a Guy?” and plan on catching up, you probably shouldn’t read behind the cut.

    Continue reading Halt and Catch Fire Reaction, “Who Needs a Guy?”: Dry Your Eyes

    Halt and Catch Fire Reaction, “A Connection Is Made”: Stronger at the Broken Places

    Marisa
    Gripes

    Marisa

    There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

    Also, she is totally not a dude!
    Marisa
    Gripes

    Latest posts by Marisa (see all)

    Halt and Catch Fire is an interesting way to take the temperature of our current television climate. It is a very, very good show, with all of the hallmarks of a prestige cable drama, and yet it’s nobody’s favorite. Still, we’ve been covering Halt and Catch Fire since the first season, and Marisa has always found something about it that spoke to her personally, so she decided to write about the individual episodes as it heads into its final stretch. Read her reaction to the previous episode, “Nowhere Man,” here

    For most of us, our lives orbit around two loci: The place where we show our public selves, and the place where we get to be who we really are . Most often, those two places are work and home—but that’s not always the case, especially on Halt and Catch Fire. Cameron is unable to separate her work from who she is, for example, so her code follows her wherever she goes. Her public place is in Joe’s apartment, where she’s performing the part of Good Girlfriend; her Airstream is where, mostly alone, she gets to be the real Cameron and admit to herself that she’s not really as “sick of tech” as she claims.

    Continue reading Halt and Catch Fire Reaction, “A Connection Is Made”: Stronger at the Broken Places

    Halt and Catch Fire Reaction, “Nowhere Man”: It’s Friday

    Marisa
    Gripes

    Marisa

    There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

    Also, she is totally not a dude!
    Marisa
    Gripes

    Latest posts by Marisa (see all)

    Halt and Catch Fire is an interesting way to take the temperature of our current television climate. It is a very, very good show, with all of the hallmarks of a prestige cable drama, and yet it’s nobody’s favorite. Still, we’ve been covering Halt and Catch Fire since the first season, and Marisa has always found something about it that spoke to her personally, so she decided to write about the individual episodes as it heads into its final stretch. Read her reaction to the previous episode, “Tonya and Nancy,” here

    I really wish I were doing another Gordon-focused reaction. I could easily live inside his little slice of the episode, in a world where he went out and saw Sneakers four times in the theater—because of course he did—and is still down for another viewing at home. I’m sure having a neurological illness makes it easier to justify doing what makes you happy, but he doesn’t: He just likes what he likes. I’d love to spend time discussing how, to Gordon, swing dancing and roller derby are the same thing, because they basically are; they both turn out to be fads with no longevity, and Gordon doesn’t buy in to fads because he’s committed to staying uncool.

    But instead of living the normcore life with Gordon, I think I have to talk about Donna.

    Continue reading Halt and Catch Fire Reaction, “Nowhere Man”: It’s Friday

    Halt and Catch Fire Reaction, “Tonya and Nancy”: Folk Death

    Marisa
    Gripes

    Marisa

    There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

    Also, she is totally not a dude!
    Marisa
    Gripes

    Latest posts by Marisa (see all)

    Halt and Catch Fire is an interesting way to take the temperature of our current television climate. It is a very, very good show, with all of the hallmarks of a prestige cable drama, and yet it’s nobody’s favorite. Still, we’ve been covering Halt and Catch Fire since the first season, and Marisa has always found something about it that spoke to her personally, so she decided to write about the individual episodes as it heads into its final stretch. Read her reaction to the first three episodes here

    Last time, I talked about how impressed I was with Halt and Catch Fire‘s ability to play with your expectations, setting up a Big Conflict, then pushing it off to the side in favor of something else. The title of this episode, “Tonya and Nancy,” promises much. Yet the big event that’s referenced barely makes a blip on the characters’ lives: Joanie actively tries to not watch the Olympics, while Joe and Gordon plan to view it at a small party that gets eclipsed by Cameron’s dramatic re-entrance into civilized society. (Hopefully Gordon and Anna Chlumsky’s Katie continue to watch, because I am HERE for that relationship, especially now that we know how bad at pool Gordon is. Although the series currently takes place the year of My Girl 2, which gives me weird, meta-concerns where I wonder if Katie knows about the My Girl movies. ) Tanya (Sasha Morfaw), Donna’s recently promoted employee, laments over a sushi lunch that her name will forever be entwined someone named Gillooly.

    Continue reading Halt and Catch Fire Reaction, “Tonya and Nancy”: Folk Death

    Halt and Catch Fire Reaction, “So It Goes,” “Signal to Noise,” and “Miscellaneous”: Live Through This

    Marisa
    Gripes

    Marisa

    There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

    Also, she is totally not a dude!
    Marisa
    Gripes

    Latest posts by Marisa (see all)

    Halt and Catch Fire is an interesting way to take the temperature of our current television climate. It is a very, very good show, with all of the hallmarks of a prestige cable drama, and yet it’s nobody’s favorite. Still, we’ve been covering Halt and Catch Fire since the first season, and Marisa has always found something about it that spoke to her personally, so she decided (a little late) to write about the individual episodes as it heads into its final stretch, starting with a quick catch-up of the season so far.

    So, how did we get here? The conventional wisdom is that the show got better once it stopped being a Mad Men ripoff and found its own footing. That opinion says more about the watcher than the show itself. To me, it never really bore more than a surface-level resemblance to Mad Men. Sure, it was a period drama in a business setting, and maybe Joe got a slice of the backstory pie that was out of proportion to how much his character warrants. (Joe is the way he is because of…daddy issues? Snooze.) But Joe was never really a Don Draper, because Don Draper is widely recognized as a remarkable talent in the advertising world at the start of Mad Men, and Joe can rarely catch a break. He’s not an anti-hero in the he can’t accomplish anything major, good or bad.

    Neither can the rest of them, even though all of the ingredients are there for them to achieve greatness. Together, they have the vision (Joe), programming talent (Cameron), engineering and hardware know-how (Gordon), and business sense/capital (Donna) to really launch a successful tech company—and they often have the right, world-changing idea at the right time. The show keeps bringing them to the precipice of runaway success. And yet, while they’ve managed in three seasons to amass some individual accomplishments, their volatile interpersonal dynamic keeps them from getting to that next level, because they need to work together to get there. And they can’t. But they know that, if they were able to somehow work on a project together and pull it off, the benefits would be immeasurable. But, again, they can’t. But they’re still drawn to each other, until they blow each other up again, retreat to their separate corners, and start the cycle anew. That push/pull dynamic, which has been there since the first season, is the whole reason for Halt and Catch Fire’s existence, and separates it from Mad Men, where Don was affected by the other characters, but not entirely dependent on them.

    Continue reading Halt and Catch Fire Reaction, “So It Goes,” “Signal to Noise,” and “Miscellaneous”: Live Through This

    In The End, Twin Peaks Denied Us More Good Times Together

    Evan Rytlewski

    Evan Rytlewski

    Music Editor at Shepherd Express
    With writing credits that include The AV Club, Pitchfork, and SportsAlcohol.com, Evan is the coolest guy in Milwaukee. In addition to running the music section of his local alt-weekly, he also hosts a radio show about the scene. If his twitter banner is to believed, T-Pain tweeted at him once, which I can't even.
    Evan Rytlewski

    Latest posts by Evan Rytlewski (see all)

    It took Dale Cooper 25 years, 15 episodes and one extended detour in Las Vegas to return to Twin Peaks, and he didn’t stay long.

    [Spoilers follow!]

    In Sunday’s twisty final installments of David Lynch’s magnum opus (stop kidding yourself if you’re holding out hopes for a fourth season), a revived Cooper rushes to the Twin Peaks Sheriff’s Department just in time for a boss battle against a floating orb of evil right out of an NES game. You’d have thought he’d stick around to at least give Hawk a firm hand shake, maybe put an affectionate hand on Albert’s shoulder or learn all about Wally. Instead, he didn’t even stop for a slice of cherry pie (apparently nobody told him about RR2Go). Fresh from his hard-earned escape from the spirit world, Cooper… rushed right back to the spirit world.

    There are already good theories pinging across the internet that explain the gist of the finale, or at least take a little bit of the initial sting out of its irresolution. It seems Lynch was trying to tell an even bigger, much more ambitious story than those first 14 episodes let on. Yet for all the big themes that consumed the series — the fluid nature of evil, the inadequacy of good intentions, repetition compulsion — what people will ultimately remember the most about Twin Peaks: The Return is its audacity to deny fans what they wanted. Here’s a sprawling, Berlin Alexanderplatz-sized work that made time for a minutes-long shot of a bartender sweeping but that still refused us many of the reunions we’d spent decades longing for. One of the initial fan complaints about the feature film revival Fire Walk With Me was it hardly had any Cooper in it, due to Kyle MacLachlan’s limited availability. The Return, ironically, offered magnitudes of Kyle MacLachlan, yet somehow the old Coop we remember — not Dougie, not Richard — still hardly got any screen time.

    Of all the extended reunions we never got to enjoy — Cooper and Audrey, Cooper and the Bookhouse Boys, Cooper and the Double R — one’s absence felt especially conspicuous. For most of the revival, FBI Director Gordon Cole, played by Lynch himself, served as a stand-in for Cooper, an avatar of decency and determination who’s oblivious to his own eccentricities. The camaraderie between the FBI agents was always a highlight of the franchise, and given how so much of the new series tracked Gordon’s search for Cooper, all signs pointed to the old friends sharing at least a little one-on-one time as a narrative reward. But though they’re both present for the series’ climatic smackdown, Cooper never paused to catch up. We never got to see them share that curtain call Cooper alluded to.

    Instead, we’re left with the bastardized “reunion” between the two in the season’s fourth episode, when a confounded Gordon meets Cooper’s doppelgänger for the first time through prison glass. For my money, it’s the most moving scene of a season that offered so many. So much of the coverage of The Return focused on Kyle MacLachlan’s bravado performances, and rightly so, but here Lynch carries the scene. Who knew he could act like this? Gordon fights to maintain a neutral face while making sense of the monster in front of him: his beady eyes, his halted speech, his robotic conversation. “Gordon, I really, really missed spending time with you,” the dark Cooper intones, with all the emotion of an answering machine. Gordon plays along, though his voice can’t disguise a tinge of a tremor: “Yes, Coop. I too have missed our good times together.”

    There’s terror on Cole’s face — how could there not be, given what he’s witnessing — but there’s something else, too: grief. His eyelids are red and heavy as he processes the disappointment that his long-missing friend is still gone. When the fake Cooper flashes him the old thumbs up, Gordon reciprocates to maintain the ruse, but he seems sickened by the act. It’s as if he’s betraying part of himself.

    Gordon was always an impressive comic creation, but for a few scenes he becomes not only the show’s most sympathetic character, but an audience surrogate. Like Gordon, we waited 25 years to see our old friend again. Instead, we were greeted by something else — something terrifying, fascinating and confusing. The season was filled with scenes like this, moments that awed us with their creativity and gave us the titillation of seeing something truly new, but that leave behind a sense of loss over what we weren’t seeing. And while it’s tempting for fans frustrated by the finale to write off Lynch’s oblique storytelling as a kind of callousness, that’s never been the case. Lynch was right there on screen. He doesn’t just understand what we wanted to see; he grieves with us that we never got to see it.

    SportsAlcohol Podcast: Soderbergh & Logan Lucky

    Rob

    Rob

    Rob is one of the founders of SportsAlcohol.com. He is a recent first time home buyer and it's all he talks about. Said home is in his hometown in Upstate New York. He never moved away and works a job to pay for his mortgage and crippling chicken wing addiction. He is not what you would call a go-getter. This may explain the general tone of SportsAlcohol.com.
    Rob

    While the Steven Soderbergh oeuvre isn’t universally beloved by The SportsAlcohol crew, it is well studied. We talk about his return to filmmaking in Logan Lucky as well as his whole career. If you’re worried we only cover his films, don’t worry: we talk more about K Street than anyone has since K Street aired. Other topics include:

    • Legacies
    • George Clooney (like, a lot about Clooney)
    • Blonde women
    • Movies that aren’t as good as Do The Right Thing
    • Why exactly one of us thinks the universally reviled Ocean’s Twelve is the best one of the series
    • non-actor actors
    • professionalism
    • contempt
    • K Street
    • The very nature of reality

    How To Listen

    We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast: