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The 20 Best Movies of 2019

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

There are other lists that came out faster, but are any more accurate than this one? SportsAlcohol.com stands by its yearslong track record of delivering not the first best-of-the-year list, but the best one. No other list aggregates the sometimes-disparate, sometimes alarmingly-in-sync opinions of Marisa LaScala, Nathaniel Wharton, Sara Batkie, Jesse Hassenger, and Jeremy Beck. So I won’t take up a lot of time with a fancy intro. You want to see how right we are about everything, and who am I to hold you up? Let’s do it!
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NYFF57: The crime stories of MOTHERLESS BROOKLYN and OH MERCY!

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Though it was far from the most acclaimed film of this year’s main slate, it made sense for the 57th New York Film Festival to close with Motherless Brooklyn. The NYFF is the a major festival-season gathering that still feels a little bit local, and as such, has an unofficial but clear obligation to its hometown. That was evident in the opening night selection (Scorsese!), the centerpiece selection (Baumbach!), the quasi-secret screening (Safdies!), and a reoriented version of Motherless Brooklyn that takes place in the 1950s instead of the Jonatham Lethem novel’s then-contemporary 1990s.

Brooklyn had a particular weight on it this year because Martin Scorsese’s The Irishman, while set in a familiar Classic Scorsese milieu, is not actually a New York crime picture—it’s more of a tri-state area affair. Uncut Gems (as yet unseen by me) is legit NYC, but it wasn’t an officially announced main-slate attraction. So that leaves Edward Norton’s passion project as the crime movie representing New York City, playing alongside The Irishman (skulking around Philadelphia and New Jersey) and Arnaud Desplechin’s Oh Mercy! (set in the French city of Roubaix).
Continue reading NYFF57: The crime stories of MOTHERLESS BROOKLYN and OH MERCY!