Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
60. “International Players Anthem (I Choose You)” – UGK (2007)
I admit it, I was way late to “International Players Anthem.” Though it came out on UGK’s 2007 album Underground Kingz, I didn’t really hear it until 2009 or 2010 when my wife Becca put it on a mix CD that she gave me when we were dating. So I’m a late convert to “International Players Anthem” and, as the saying goes, there’s no zealot like a convert, so…HOLY HELL THIS IS AN AMAZING TRACK! I mean, it has everything, EVERYTHING – the beat and sampling is peerless and brimming with confidence; there are virtuoso raps in a variety of lyrical styles, from Andre 3000 rapping (as usual) about spaceships and getting sunburned on his bum, to the casual references to Paul McCartney’s marital woes and crashing Bentleys. And (of course) a terrific performance by one Pimp C (RIP). And that doesn’t even take into account the music video. There may well be more “important” hip hop tracks higher up on this list, but you can’t tell me that there are any that are more fun to listen to. – George
59. “Me and Mia” – Ted Leo and the Pharmacists (2004)
Sara is big into reading and writing fiction like it's her job, because it is. That doesn't mean she isn't real as it gets. She loves real stuff like polka dots, indie rock, and underground fight clubs. I may have made some of that up. I don't know her that well. You can tell she didn't just write this in the third person because if she had written it there would have been less suspect sentence construction.
Having your song used in commercials is a double-edged sword for artists. For many indie bands, I’m sure the royalties are welcome and hard to turn down, but it’s also the sort of thing that can follow an artist around for life (exhibits A, B, C, infinity: just about anyone who’s been featured in an Apple spot). A good pairing, though, can elevate something potentially mechanical and soulless to memorable, even transcendent. It helps, of course, if the song itself reaches those heights already. Such is the case with the New Pornographers’ anthem “The Bleeding Heart Show,” whose spangly hey-la hey-la chorus is best known for being prominently featured in a commercial for the for-profit educational center University of Phoenix, of all things. It’s also one of the most perfectly constructed pop songs of the past decade.
The album it comes from, Twin Cinema, was released a decade ago, and though the band has released many ear-wormy delights since then, “The Bleeding Heart Show” has become one of their signature songs. The New Pornographers are something of an indie supergroup, spearheaded by A.C. Newman trading vocals with Dan Bejar of Destroyer and the volcanically talented Neko Case, backed up by other journeymen and women. They’ve put out six records since first forming in 2003, and each one harnesses the alchemical joy of a group of good friends getting back together again. It’s like The Big Chill, except without the Boomer moping and everyone’s singing songs they wrote together instead of Motown classics.
As a band, The New Pornographers seem incapable of making something without a hook. On paper “The Bleeding Heart Show” has a classic three-part structure, but that’s liberating for the song rather than limiting. It begins quietly with the plaintive chords of a lone piano. The drums kick in with Newman’s vocals, the lyrics somewhat nonsensical but seeming to detail the hazy morning after a rager, an impression reflected in the music, which sounds like it’s fumbling toward what it wants to be. But it moves swiftly after two verses into the bridge, the drums escalating as Newman and Case build in urgency and solidarity, joined by a melodica, the harmonica’s carnival cousin. Then Newman drops out and a chorus of “oohs” takes over, carrying us as the instruments begin locking together and surging forward, exploding into the “hey-la” finale. It’s a fist-pumping, chest-swelling blast of emotion, and for the next sixty seconds it seems the band may go on forever, backing up each epic moment in your life.
The New Pornographers play Prospect Park on Saturday, July 10th, for free, if you’re in the area.
Rob is one of the founders of SportsAlcohol.com. He is a recent first time home buyer and it's all he talks about. Said home is in his hometown in Upstate New York. He never moved away and works a job to pay for his mortgage and crippling chicken wing addiction. He is not what you would call a go-getter. This may explain the general tone of SportsAlcohol.com.
At the risk of dating ourselves, the majority of the SportsAlcohol crew loves the music that was tearing up the CMJ charts during the transition of the Clinton to Bush 43 administrations because that’s when we were in college. Sabrina, Marisa, Jesse, and Me (Rob) went to see one of our favorites from that time period, The Dismemberment Plan, on their current tour when it came through New York.
We were joined by Sara. Not the Sara that has been writing great pieces for us about unlikeability (among other things), but another equally excellent Sara that we’ve been going to shows with for about fifteen years. It is just dawning on me now how many Saras with no ‘h’ Jesse knows. It’s at least three, which feels like a lot to me.
Afterwards, we sat down to talk about The Plan as well as other music from the turn of the century. What bands did we like back in the day? Which ones are still going strong and which ones fell by the wayside? What group’s lack of a promised second record is driving Sabrina insane? Was the world ever our oyster? How come Interpol is still together? All these questions and more follow.
How To Listen
We are up to four different ways to listen to a SportsAlcohol podcast, hopefully five by the next one: