For the impending end of 2017, some of our writers are going back and talking about beloved songs from this year, especially from artists not covered on our upcoming podcast.
Remember February? I sure don’t. Woe to the artists who happened to release their albums so early in the year because I have mostly forgotten them in the midst of all the insanity, and great music, that’s happened since then. Anyway, if you’d told me last week that I’d still have patience for a sad white guy bemoaning his girlfriend leaving him I’d have laughed in your face. And yet “Up in Hudson,” from Dirty Projectors’ self-titled 2017 release, remains in my rotation despite fitting that description to a T. Because that also sells it short. At almost eight minutes, unfolding over a luxurious horn-based hook, it’s a break-up anthem that manages to be incredibly even-handed while also being honest about its creator’s pain, considering the girlfriend in question was an integral, and celebrated, member of the band.
The next move for Dirty Projectors has never been easy to predict: they’ve done jagged art pop on Bitte Orca; Dylan-flecked folk on Swing Lo Magellan; even a recreation of Black Flag’s Rise Above done entirely from memory. So it’s interesting to see what it’s morphed into now that Dave Longstreth is essentially a solo artist performing under an established name. The stripped down, distorted aesthetic on display here isn’t always easy to love in comparison to their past classics, but it does feel like a honest reckoning, and “Up in Hudson” is its early highlight. If Longstreth seems like he’s working out his own bitterness and resignation in real time, at least the end result is something we can all share in.
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