Category Archives: Movies

PAST LIVES Is Secretly an Internet Movie (and a Great One)

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Movies have had an uneasy relationship with the internet since at least the days of ubiquitous American Online diskettes. Whenever a movie (especially a clunkily humanist one like noted non-classic Men, Women and Children) expresses any alarm about the pitfalls of digital technology, anyone with online levels of medium or above tends to point and laughs—and not for nothing do so many members of a particular subgenre have the adjective “paranoia” inserted between “internet” and “thriller.” Really, though, who can blame the movies for their paranoia? Anyone who spends a reasonable (read: unreasonable) amount of time online will readily admit what a cesspool it is, then gaslight any movies that agree with them—and that was before the internet enabled a haphazard half-dismantling of the already-fragile big-studio movie pipeline. This makes it all the more impressive that Celine Song’s new movie Past Lives sees the internet, particularly social media, with such clarity, and depicts it with such restraint.

That’s typical of the movie of the movie in general, which is not principally about digital technology, but rather a pair of young friends with middle-school crushes on each other who are separated, then reunited decades later. If the movie is a romance, it’s one of bittersweet small gestures and longing looks—the small spaces in between major life decisions.

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YOU HURT MY FEELINGS Review: A Sitcom Premise with Real Bite

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

It’s a premise that could have inspired a sitcom episode, and probably has: Beth (Julia Louis-Dreyfus), a writer who has been working on draft after draft of her new novel, accidentally overhears her husband Don (Tobias Menzies) offer his honest opinion of her work, which he’s repeatedly praised to her. The truth is, he doesn’t much like it, and he feels like it’s too late for him to tell her this. What makes this seem like a potential sitcom episode is also, oddly, what makes the movie seem true to life: This revelation isn’t just an embarrassment for Don or a surprise for Beth; it spirals into a crisis of confidence for both of them. The rawness is right there in the title: You Hurt My Feelings, a phrase that (unless I’m misremembering) no one in Nicole Holofcener’s new movie actually directly says out loud. Beth doesn’t need to; it’s all over her face, whether accompanied by anger, sadness, or uncertainty (over her career, her marriage, her family… you name it).

You Hurt My Feelings is, to be clear, very funny – I laughed out loud repeatedly, especially in scenes involving Beth, her sister Sarah (a perfectly cast Michaela Watkins), and their fussy mother (Jeannie Berlin, ably and hilariously impersonating someone five or ten years older than her actual age). Those laughs feel fuller because the movie allows the truthfulness of that hurt to burn through the mild shenanigans of sneaking up on your spouse while he’s sock-shopping and hearing something you shouldn’t. Rather than letting her movies turn into farce-lite trifles without the wherewithal for full slapstick, like some later-period Woody Allen pictures, Holofcener only gets sharper and more precise as she moves through her career. Feelings, along with Enough Said, her decade-ago previous collaboration with Julia Louis-Dreyfus (whichI see I also described as deceptively sitcom-ready back then) and Please Give, from a few years before that, sits among her best.

One of Holofcener’s gifts is her ability to casually, convincingly fill out what could seem like a cloistered upper-middle-class New York City world. Though Beth and Don are the film’s focal points, we also spend time with Sarah and her actor husband Mark (Arian Moayed), as well as Beth and Don’s son Elliott (Owen Teague), himself an aspiring writer, who expresses discomfort over his parents’ closeness and, eventually, their loving encouragement. Is he actually good at all the things they tell him he is, or does he just have a doting mother, desperate to reverse her own, less nurturing upbringing? All of the characters ultimately struggle with forms of this question, and while Holofcener clearly has affection for all of them, she’s unsparing enough to allow for the very real possibility that none of them are particularly good at the things that they’ve self-designated as their skill sets, their passions, their callings. Maybe no one is? Maybe even a calling is subject to the muddling-through mediocrity of everyday life? That’s not exactly the point she’s making (at least not explicitly), but it’s tantalizing to watch a movie that itself seems cautious about providing too much encouragement, too much coddling for its audience. This is a comedy, not a therapy session.

Although, as it happens, this is a comedy that contains multiple therapy sessions, because Don is a therapist, and, in keeping with the artier aspirations of his friends and family, something of a flailing one. He catches himself mixing up patients’ backgrounds, he sees a couple (real-life spouses David Cross and Amber Tamblyn) who seems comically incapable of positive change, and, in a devasting social exposure to match Beth’s, he even overhears someone else muttering about the sessions’ – about his, really – uselessness. In the starkness of these low moments, it’s hard not to ruefully think of how many movies and TV shows trend in the opposite direction, earnestly espousing the benefits of therapy and emotional openness. It’s hard not to think specifically of Ted Lasso, a feel-good workplace sitcom where every character seems to eventually arc toward moral instruction for the viewers, apparently in such dire need of guidance that they not merely laugh at Ted’s culture-clash antics, but laugh with them, and, worse, learn from them. In Holofcener’s films, even moments of understanding can sting: “Leave him alone,” Tamblyn’s character says when her husband criticizes Don for not helping them enough. “He looks tired.”

It would be a stretch to describe You Hurt My Feelings as a rebuke to the fact that Ted Lasso’s second and third seasons have kinda sucked. It’s a bigger achievement than that, and bracingly alive all on its own, all the more impressive for existing near-exclusively in an Allen-ish world of privilege without using that world as a narrative problem-solver. (It’s a little vexing that no one in the movie seems to have any financial concerns, but the writer-director of Friends with Money can probably be granted a pass there – and anyway, the fact that Don and Beth are potentially well-compensated for their work only makes questions of their competence cut deeper.) But it’s still a relief to see that starting with sitcom simplicity doesn’t have to mean a bunch of squishy revelations that engulf comedy and attempt to decompose it. It can, instead, build out into something exacting and almost anthropological in detail. And even so: funny, too.

The SportsAlcohol.com Podcast Oscar Special 2023!!!

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Welcome to the 95th Annual SportsAlcohol.com Oscar Special! True, our podcast has only been around for nine years (!), but the Oscars have apparently been at it for 95, and one day they’ll get it right! Will that happen for the 2022 movies, including Everything Everywhere All At Once facing off a bunch of challengers including The Banshees of Inisherin, Top Gun 2, Avatar 2, All Quiet on the Western Front, The Fabelmans, and a bunch of Talking Women?!? Tune in to our Oscar special to find out what “getting it right” would even mean for Sara, Jeremy, Marisa, and Jesse, who offer their selections for who will win, who should win, and who was SNUBBED in each of the big eight categories! You can download our Oscars ep here or listen below!

The SportsAlcohol.com Podcast: Best Movies of 2022

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Movies! Now more than ever! For this late-but-not-that-late episode on the Best Movies of 2022, the SportsAlcohol.com movie core of Marisa, Sara, Jeremy, Jesse, and Nathaniel each submitted a list of, yes, their 20 favorite and/or best movies of 2022, aggregated into a single list. Four of us then run through those collective choices in this loose countdown, which means talking about movies that are and are not actually about the magic of cinema. Musicals, multiverses, Hitchcockian thrillers, dark comedies, and emotional devastation… this year’s best movies of 2022 had it all! Along with our group’s consensus choices, we offer occasional dissent with each other’s picks, plus a quartet of outliers that only made certain individual lists. There’s a lot to enjoy here, so get to listening!

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ANT-MAN AND THE WASP: QUANTUMANIA is all small favors

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

“Worlds within worlds.” That’s the well-worn descriptor—Quotation? Catchphrase? Cliché? Really, that universal catch-all-three “from the comics”—one character uses to characterize the primary setting of Ant-Man and the Wasp: Quantumania. The characters are goggling at the previously glimpsed and now heavily explored Quantum Realm, a beyond-microscopic section of the Marvel Cinematic Universe reachable only by advanced (and dangerous) shrinking technology. Ten years ago, though, this phrase might have applied to the MCU’s numerous overlapping mini-franchises, Iron Man’s world not quite the same as Captain America’s which was not quite the same as Thor’s—until they pulled a few narrative threads together and converged into The Avengers. Now, it could also apply to the way the MCU seems obligated, whether by due dates, artistic conviction, or pure high-roller self-confidence, to paste together its wonders with green-screen, dim lighting, and suspiciously empty one-shots. Whenever it’s possible to look at Quantumania and idly wonder whether anyone on screen was actually in a room together during shooting—which is often!—you may be peeking at the worlds-within-worlds built by visual effects artists and actors’ conflicting schedules. In other words: a Zoom call with (somewhat) better backgrounds.

Which is not to say Ant-Man and the Wasp: Quantumania entirely lacks for sights. Previous looks at the Quantum Zone somewhat resembled the spongy insides of Fantastic Voyage crossed with a lava lamp; this time, we see cityscapes that look like a more gelatinous Star Wars, and creatures to populate them. Scott Lang (Paul Rudd), also known as Ant-Man, is on accidental extended visit there, along with his girlfriend Hope Van Dyne (Evangeline Lilly), his teenage daughter Cassie (Kathryn Newton), and Hope’s parents Hank (Michael Douglas) and Janet (Michelle Pfeiffer). The whole family gets sent there in a sequence of admirable expediency and perhaps not a lot of sense; the stakes may be higher in this third Ant-Man movie than they were in the previous palate-cleansing adventures, but returning director Peyton Reed seems to vaguely recall the crispness of his best comedies like Bring It On and Down with Love (if not their colorfully winking wit), and attempt to bring things in around the two-hour mark. (For a contemporary superhero movie, this is the equivalent of 91 minutes.)
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80 FOR BRADY is a Fancy Grandma Adventure That Works

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Plenty has been written about the enabling of the streaming-era ubiquity of geezer teasers, direct-to-video action movies that tantalize older viewers with heavily advertised appearances, often brief, from stars of yesteryear like John Travolta, Sylvester Stallone, or Bruce Willis. But for women of a certain age who aren’t particularly associated with crime thrillers or gunplay, there’s a parallel track involving more screentime, less (though not zero) nefarious marketing, and actual theatrical releases: Fancy Grandma Adventures, wherein a group of actresses (usually four) with storied careers (usually at least two Oscars) get together for a groove-reacquiring girls’ night that lasts around two hours.

The Robert De Niro of this emerging mini-genre—the workhorse who seems to really enjoy working—is Diane Keaton, whose close associations with Nancy Meyers made Book Club (also starring Jane Fonda, Mary Steenburgen, and Candice Bergen) into a stop-gap solution for anyone craving cream sweaters, copper pots, and post-menopausal reclamations of purpose. A sequel is coming this spring. Steven Soderbergh even made a vaguely art-house version of this story with Let Them All Talk, where Bergen, Dianne Wiest, and Meryl Streep play old friends reuniting on a cruise ship.

80 for Brady is a Fancy Grandma Adventure based on a true story—
presumably in the sense that at least once, a group of older women went to the Super Bowl together. (A real-life photo is provided as the credits roll; no other details accompany it.) Keaton is inexplicably absent, but Book Club’s Fonda appears, joined by her frequent co-star Lily Tomlin, plus Oscar winners Sally Field and Rita Moreno. After becoming diehard fans of the New England Patriots later in life, the four women decide to get themselves into NRG Stadium in Houston to watch what could be Tom Brady’s final Super Bowl appearance in 2017. Being in his 40s, they reason, he is “80 in people years,” just like them.
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The SportsAlcohol.com Podcast: Avatar 2 and the Films of James Cameron

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Avatar is back! Everybody brace for cultural impact! James Cameron’s special-effects extravaganza Avatar: The Way of Water has finally made it to movie theaters — in fact, it’s now topped the domestic box office for seven weekends in a row, garnered a Best Picture nomination, and raked in over $2 billion worldwide. In light of this stunning failure to attract any kind of substantial audience or acclaim, your SportsAlcohol.com crew hopped in their submersible and did a deep-dive podcast on the films of James Cameron, in all their water-y, tech-y, earnest glory. The Avatars, the Terminators, the Aliens, the various boats and choppers and motion-captured Na’vi… they’re all here in this two-hour-plus extravaganza that is still shorter than the runtime of Avatar: The Way of Water. Discussion points include high frame rate, 3-D, sending Bill Paxton to explore the real Titanic, the names of characters in Avatar, Cameron’s facility with sequels and what sets the Avatar follow apart, Titanic opening-night memories, and more. Jesse, Marisa, Jeremy, Nathaniel, and Jeff are your guides through the floating mountains of Pandora and beyond! And if you feel the need to do some penance following this epic appreciation of megablockbuster entertainment, we did do a podcast about a bunch of recent indie movies!

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The Worst Movies of 2022

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Best Movies of the Year lists seem to pop up earlier and earlier, but you don’t see quite as many Worst of the Year equivalents. I understand why: It seems mean, it flirts with Golden Raspberry-level cluelessness, and it doesn’t seem worth the effort telling people to avoid a few movies they might have already seen (or, as with smaller movies, would probably never come across anyway) rather than telling them to check out any number of gems. And yet: There is something satisfying about rounding up a motley crew of the year’s most annoying, inexplicable, and/or painfully inept cinematic experiences, if only to see where the bad trendlines are headed (and maybe compile some writing that hopefully justified the critic’s investment of time). This year, perhaps owing to my co-hosting a horror movie podcast, I saw plenty of bad horror movies (and this was a very good year for horror in general). I also saw a lot of movies rolling the dice on Get Out-style social commentary, and then watching as the dice skipped down the sidewalk and fell through a sewer grate. So take a look at my least-faves of 2022, check out some writing and podcasts from the past year, and be glad that I left off Resurrection, and see how they compare to 2020 and 2021.
Continue reading The Worst Movies of 2022

The SportsAlcohol.com Podcast Lost Episode: Indie Movies of Summer 2022

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Hey there! It’s been a while, I know! We recorded our annual wrap-up of highlights from an indie-movie summer (and recommendations for a healthy streaming fall) back in September, but life, paid gigs, and occasionally COVID got in the way of Jesse actually editing the damn thing and getting it out into the world. I thought this particular movie podcast episode might feel outdated now that it’s December, but as it turns out, this is a terrific compendium of summer indies that will probably be largely overlooked as we head into the big end-of-year list-making season. Plus, some of these movies are newly available on Netflix and/or Hulu and/or old pals at AMC Plus, an organization that we make a case should be sponsoring us on this very episode! So let Sara, Marisa, Jeremy, and Jesse take you on a whirlwind tour of the movies you might have missed last summer while you were seeing Top Gun 2 a third time! You won’t regret it!

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The SportsAlcohol.com Podcast: Top Summer Movies of 1992

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

Summer 2022 is officially and unequivocally over. Long live summer 1992! As we continue to sweep the corners on summer movies past, we have arrived at the summer movies of 1992, which looks a hell of a lot different from 2022 or 2002. Eddie Murphy and Steve Martin haven’t yet teamed up for Bowfinger (and are both trying their hands at screwball rom-coms of sorts). Jack Ryan is only on his third actor. Tom Cruise is there, but he’s Irish. There’s just one superhero movie, and it’s way hornier than usual. And girls?!? Playing baseball??! To sort through all of this, we’ve reunited Nathaniel, Ben, Marisa, Becca, Jeremy, and Jesse to talk about our experiences (largely but not entirely facilitated by home video!) with this eclectic and occasionally maddening look at the summer movies of 1992.

If you need to catch up before checking out the latest and greatest, here’s the complete history of this project:

1990
1991
1994
1995
1996
1997
1998
1999
2000
2001
2002

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