Tag Archives: The Dismemberment Plan

The SportsAlcohol.com Podcast: 1999 Albums – Emergency & I

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

The SportsAlcohol.com podcast is particularly good at two things, if we do say so ourselves: (1.) talking at length, particularly (2.) about the pop culture of 20 years ago. So our new mini-series about albums from 1999 is both in and out of our comfort zone: We’re producing some of our shortest episodes ever, but we’re adding to our popular talks about 1999 summer movies and 1999 pop with some (probably Will Smith-free) talks about individual albums that mean a lot to various members of the SportsAlcohol.com team. First up is one for the indie rockers, an album just about to turn 20, and a personal favorite of Rob, Randy, Jesse, and Marisa: the Dismemberment Plan’s Emergency & I. Join us as we ask three simple questions: what did this album mean to us at the time, what does it mean to us now, and is this the best album by the artist in question?

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

The SportsAlcohol.com Podcast: The Best Songs of the 2000s, Discussed

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Jesse

If there’s one thing we at SportsAlcohol.com love just as much as making a big, unwieldy song list, it’s talking (and griping!) about our big, unwieldy song list, so of course after we ranked the 101 best songs of the 2000s, a bunch of us got together to talk about the results. Listen to Marisa, Craig, Sara, Ben, and Jesse badmouth each other’s choices, bicker about LCD Soundsystem and Bruce Springsteen, and talk about a bunch of music we all love in a wide-ranging, sometimes contentious, but surprisingly concise discussion. And that’s not all! A little later, Marisa and Jesse decided to talk to SportsAlcohol.com co-founder Rob about his arduous list-making process, resulting in even more insult into our weird, nerdy, music-loving minds! This Best Songs of the 2000s double feature is not to be missed. Plus, it has much better sound quality than our ’90s episode!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

    • You can subscribe to our podcast using the rss feed.
    • I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
    • I don’t really know what Stitcher is, but we are also on Stitcher.
    • SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
    • You can download the mp3 of this episode directly here, and the bonus episode here.
    • Our most recent episode or two will sometimes be available on our Soundcloud
    • .

    • You can listen to both episodes in the players below.


They Might Be The Dismemberment Plan

Rob is one of the founders of SportsAlcohol.com. He is a recent first time home buyer and it's all he talks about. Said home is in his hometown in Upstate New York. He never moved away and works a job to pay for his mortgage and crippling chicken wing addiction. He is not what you would call a go-getter. This may explain the general tone of SportsAlcohol.com.
Rob

They Might Be Giants & The Dismemberment Plan

Before I even heard “Waiting,” the first new recording by The Dismemberment Plan in over a decade, I was reminded of They Might Be Giants. That was because of The Plan’s initial distribution method for the song; in order to hear it, you needed call a phone number and listen to it as a voicemail greeting. For over twenty years, TMBG ran their own Dial-A-Song service, which did the same exact thing. Once I heard “Waiting” in higher fidelity, the comparisons continued.

The keyboards beep and boop like a cartoon robot. The beat is bouncy, with a mix of live and synthesized instrumentation. The beginning and end contain unothodox samples. The lyrics are clever rhymes taking a different look at the ordinary. All of these things in “Waiting” reminded me of They Might Be Giants, and I’m not the only one. In this interview with Dismemberment Plan frontman Travis Morrison, Dan Weiss describes Uncanney Valley, their forthcoming reunion album as “a dozen They Might Be Giants-esque pop songs.” This excites me for a few reasons.

As they get older, The Dismemberment Plan are getting away from Pixies-like dynamic explosions, shouting, and clever but bitter lyrics that initially drew me to them in college. That doesn’t mean that they’ve slowed down, but focused on other strengths. Foremost among these is a sense of exploration and experimentation. I don’t think there’s a better model for longevity in music through trying different things than They Might Be Giants.

The older I get, the more I find my musical tastes solidifying in a way I swore they never would. I’m more interested in listening to bands I already like as opposed to discovering new sounds. Favorite bands that are always trying to change and push their boundaries is an effective, comforting way to push back against the atrophy.