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The Ten Best Music Cues on The Sopranos

Sara is big into reading and writing fiction like it's her job, because it is. That doesn't mean she isn't real as it gets. She loves real stuff like polka dots, indie rock, and underground fight clubs. I may have made some of that up. I don't know her that well. You can tell she didn't just write this in the third person because if she had written it there would have been less suspect sentence construction.

In early March 2020, a coworker asked me what I might do if Chicago instituted a two-week lockdown to fight Covid. “I don’t know,” I joked. “Maybe finally watch The Sopranos?” It was a huge gap in my television viewing history, if an understandable one. I was twelve when it first began airing in January 1999, and while my family had a free year of HBO thanks to a cable deal, I was clandestinely absorbing the antics of Sex and the City rather than Tony and the gang. Despite later enjoying, to varying degrees, shows that owed the series a debt, from Mad Men to Breaking Bad to The Americans, I was always daunted by the idea of taking on The Sopranos. It felt like a project. Is it really worth it? And when would I find the time? Still, as Twitter flooded with sourdough starters and Duolingo prompts in the ensuing months, I resisted the modest goals I set for myself. I felt too unmoored and confused to accomplish even something as simple as watching a show. It wasn’t until a full year into the pandemic, the same year that Sopranos movie prequel The Many Saints of Newark was scheduled to release, that I pressed play on the premiere, but I was surprised at how quickly the show’s characters began to feel like companions. (Living alone will do that to you.) It can be easy to forget now, but The Sopranos truly was a game-changer, and one made with more care than the contrarian in me anticipated. The music is a huge part of that, much of which creator David Chase handpicked himself, to the point where even a casual fan of the show could come up with a unique top ten list. As a recent convert, I humbly offer mine on the occasion of Many Saints of Newark hitting theaters and HBO Max this week.

The 10 Best Music Cues on The Sopranos According to a First-Time Viewer in 2021

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The SportsAlcohol.com Podcast: Summer Movies of 2001

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

We’ve recorded a whole lot of podcast episodes here at SportsAlcohol.com, but it’s safe to say our most popular episode format has been our annual exploration of the top summer movies of the past — specifically, 20 years past, which means this year we’ve reached summer 2001. (And also, in a few weeks, 1991, because we’ve expanded to 30-years-ago summers in an attempt to sweep the corners on the entirety of the 1990s.)

The summer movies of 2001 are all about sequels, stars, and bad ideas! So in some ways, it’s a lot like most summer movie seasons; in others, it’s a peek into a different world between the more adult-oriented entertainment of the ’90s and the superhero dominance that was lurking just around the corner. Listen in as Marisa, Nathaniel, Ben, Jesse, and Jeremy talk about our own histories with Vin Diesel, apes, dinos, Lara Croft, so many sequels, and the terrifying genesis of dance party endings. We also try in vain to save the Point Break talk for the next episode.

If you need to catch up before checking out the latest and greatest, here’s the complete history of this project:


We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

  • You can subscribe to our podcast using the rss feed.
  • I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
  • I don’t really know what Stitcher is, but we are also on Stitcher.
  • SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
  • You can download the mp3 of the Black Widow/Cruella episode here and the streaming-biz discussion episode here
  • Our most recent episode or two will sometimes be available on our Soundcloud
  • You can listen to the episode in the player below.

SPACE JAM: A NEW LEGACY is the fucking worst

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

I don’t know if I believe that a young LeBron James wore a Looney Tunes backpack in 1998. He was 14 then, on top of which those images of Bugs, Wile E. Coyote, and the Tasmanian Devil setting aside their differences in order to dress in contemporary clothing, fold their arms, and stare sardonically out from various mall apparel predated the 1996 release of Space Jam, a project that felt a little bit like That Bugs & Taz Shirt: The Movie (though it was, in reality, That Sneaker Commercial: The Movie). But for a moment in Space Jam: A New Legacy, I felt a little rush of, well, if not personal nostalgia, a pleasurable recognition of something I remembered from real life, not just television. My relationship with Space Jam has ranged from tolerance to irritation over the years, but I can recognize that a lot of people enjoyed seeing a movie starring the Looney Tunes (as well as what appeared to be an animatronic simulation of basketball sensation Michael Jordan) on the big screen. Who am I to disdain a Looney Tunes backpack? It’s scarcely less commercialized than the Looney Tunes PVC figurines I collected as a kid, or the Warner Bros. Studio Store where I excitedly spent the $50 bill I found on the ground when I was 10. I’m not immune to the stupid pleasures of commerce running roughshod over art, having also spent some time as a child getting past the LOL phase of my Looney Tunes appreciation and moved, with nerdy precision, into the cataloging and memorization.

This is all to say that Space Jam: A New Legacy is not as interesting as a backpack where Bugs and Taz are friends and don vaguely hip-hop-inspired streetwear. Backpacks usually have stuff inside of them. Though originally intended for theaters, Space Jam: A New Legacy has an emptiness that seems custom-built for streaming: vaporous, worthless, yet somehow nearly two hours long. That hideous blue-and-white Warner Bros. shield that looks like a specialty logo for a DTV outfit called Warner Faith should have been debuted with this movie. It is a temple of content, which the filmmakers can only visualize as a knockoff of Ralph Breaks the Internet taped over by an unwatchable family sitcom starring LeBron James.
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