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Revisiting the ’00s Week+

Gripes

Marisa

There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

Also, she is totally not a dude!
Marisa
Gripes

As we said in our podcast, we broke out our Von Dutch trucker hats and our Juicy Couture track suits to revisit the ’00s.

WE RANKED THE 101 BEST SONGS OF THE ’00s!
You can read the results here: 101-61, 60-21, and the top 20.

Have gripes about the list? So did we, and we argued about them crankily on our songs of the ’00s podcast, as is our wont.

We complained about our favorite songs that didn’t make the list, too, and stumped for our outliers.

Ben threw in a pitch for 69 Love Songs as the best album of the ’00s, even though it came out in the ’90s.

Rob found the worst song of the ’00s.

Jesse did his own countdown of the best songs of the Fiery Furnaces, a band that only existed in the ’00s.

And Tim cataloged the sad ladies of the ’00s, complete with DIY infographic (i.e. our favorite kind of infographic).

Start whipping your votes for the ’10s now!

King Kong on Broadway

Nathaniel

SportsAlcohol.com cofounder Nathaniel moved to Brooklyn, as you do. His hobbies include cutting up rhubarb and laying down. His favorite things are the band Moon Hooch and custard from Shake Shack. Old ladies love his hair.
Nathaniel

Latest posts by Nathaniel (see all)

“Why, in a few months, it’ll be up in lights on Broadway: Kong, the Eighth Wonder of the World.”
– Carl Denham

Eighty-five years after Robert Armstrong uttered that line in the original King Kong, the king of Skull Island has made the leap off of screens and onto an actual Broadway stage, with the debut of a new musical now in previews at the Broadway Theatre. It’s not exactly fair to critique the production before their November 8th opening (and there are plenty of folks much better suited to give you a real theater review), but I’m more interested in talking about how the show stacks up as an entry into the Kong canon anyway.* Continue reading King Kong on Broadway

Crazy Rich Asians would have been a hell of a musical

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

A major reason that Crazy Rich Asians is a landmark is right up there on screen – it’s a big studio production made almost entirely with Asian and Asian-American performers, and before you even get to the many individual charms of those actors, there’s real distinction in watching an American movie without any white people in it, something that hopefully can become less rare in the coming years. But the movie is a big deal for representation behind the camera, too: It’s a dip into the romantic comedy and family drama genres from the talented and versatile Jon M. Chu, an Asian-American director whose career has so far included an unusual number of sequel jobs, as he was sent in to continue Step Up (with parts 2 and 3), G.I. Joe (part 2), and Now You See Me (part 2, and he’s attached to part 3). More often than not, he leaves a franchise in better shape than he found it; here he has the chance to start his own.
Continue reading Crazy Rich Asians would have been a hell of a musical

The Top 15 Best Liz Phair Songs (So Far)

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

When I was 16 or 17 and girls my age called Alanis Morrissette “Alanis,” it irritated me in the way that smartass know-it-all insecure teenage boys frequently get unaccountably irritated. You don’t know her! I’d think. Or sometimes say out loud, in the way that smartass know-it-all insecure teenage boys frequently can’t keep their stupid mouths shut. At the time I, to paraphrase the song “Rock Me,” didn’t know who Liz Phair was. But I thought back to those moments when reading over our write-ups of the best Liz Phair songs—including my own. Pretty much all of us did it: We called her Liz, like we knew her. We don’t, of course. But that’s how good Liz Phair’s songwriting is: There’s something relatable yet specifically conversational about so many of her lyrics, as well as her unaffected delivery style and sometimes fret-squeaking arrangements. And as important as Exile in Guyville is, this kind of presumptuous rapport with your audience doesn’t automatically happen from one great album. It happens more often from a career full of high points, from one of our best (and sometimes most underappreciated songwriters). SportsAlcohol.com founders Marisa, Jesse, and Rob were joined by past ‘90s list voters Sara Ciaburri and Lorraina Raccuia-Morrison as well as Liz (and film) scholar R. Emmett Sweeney to pay tribute to our collective favorites, coinciding with the reissue of her first four albums on vinyl, an Exile-themed anniversary tour, a bigger tour in the fall, and hopefully a new album sometime soon. In the meantime, here is who Liz Phair is.

The Top 15 Best Liz Phair Songs So Far

Continue reading The Top 15 Best Liz Phair Songs (So Far)

The SportsAlcohol.com Podcast: Steven Spielberg and Ready Player One (Parts 1 and 2)

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Still cranking out movies, sometimes faster than ever, as he enters his 70s, Steven Spielberg remains an enormous figure who looms, moonlike, over the cinematic landscape. Not everyone loves his work, and even those who love his work don’t love everything about it, but there’s no denying his influence, importance, and talent. On the occasion of Ready Player One, his new movie (and fourth in about two and a half years!), we assembled a group mixing hardcore fans, casual watchers, and genuine skeptics of his work to discuss the new film and everything that came before it. This was such an expansive discussion that we’ve split it into two episodes. Part 1 focuses on Ready Player One and some of his directorial trademarks; Part 2 focuses on the rest of his career and the Spielberg movies and ephemera that Marisa, Ben, Sara, Nathaniel, and Jesse love, hate, or may have just watched for the first time. How does Ready Player One compare to the book? Who thinks Lincoln is overrated? What Spielberg sequel is Jesse nuts for? What the hell do we all think of Hook? Listen to find out all of that plus more Spielberg nerdery!

Both parts are now available for your listening pleasure below!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

  • Part 1:

    Part 2:

  • Annihilation and Female Scientists on Film

    Gripes

    Marisa

    There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

    Also, she is totally not a dude!
    Marisa
    Gripes

    In Annihilation, a group sits around a table discussing the people who will be heading on a dangerous mission into a logic-defying mystery box they call The Shimmer. There’s Anya, a paramedic; Josie, a physicist; and Dr. Ventress, a psychologist. “All women?” someone asks. “Scientists,” one corrects. Yes! And they’re unlike any other female scientists in films I’ve seen—not just because they carry guns, but because they work as a team of all women.

    This post started, as most things do, with a complaint. The object of my ire was another recent sci-fi outing with a female lead: The Cloverfield Paradox. There was much discussion about the movie after it made its sudden Netflix debut following the Super Bowl. Most of it centered on the marketing: Was it a shrewd move of Netflix to generate buzz with an unexpected release? Or was it another case of the streaming platform burying an acquisition that should’ve been given a theatrical run?

    Instead of weighing into that fray, my post-Paradox reaction was this: Oh, great, another female astronaut with dead kids.

    There were dead kids in The Cloverfield Paradox. There was a dead kid in Gravity. There were dead kids in Arrival. And, if female scientists weren’t motivated by children (either the desire to have them or the grief over losing them), it was absent fathers (think Contact, Twister). Meanwhile, when Capa sends his last message back to Earth in Sunshine, he sends it to his sister, and talks about saving the world.

    Of course, when I brought this up on Twitter, people started chiming in right away with more examples and counter-examples. So I tried to be semi-scientific about it, and collect data points that either prove or disprove my hypotheses about the portrayals of female scientists in film. Who is allowed to save the world for altruistic reasons, and who has to be motivated by a dead kid or dad or spouse? Who are the engineers and physicists, and who are the biologists and language experts?

    Continue reading Annihilation and Female Scientists on Film