Tag Archives: teens

The SportsAlcohol.com Podcast: Riverdale!

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

If you’re anything like us, it seems like everyone you know is watching Riverdale, this spring’s CW-aired reimagining of the classic Archie Comics characters. Marisa, real-life Archie doppelganger Nathaniel (seriously, you should see him in his Riverdale High t-shirt), Jesse, and YA expert Maggie all watched Season 1, including the recent season finale, then got together to discuss the show: as the teen soap du jour, as an adaptation of Archie Comics, and how it compares to the 2001 feature film Josie and the Pussycats. We talk about Archie! Jughead! Betty! Veronica! Plus even Reggie! And all the boring adults! Join us as we examine Riverdale Season 1 from all kinds of angles, from deep Archie fandom (Nathaniel) to YA fiction to thinking this version of Archie Andrews is very, very stupid (Marisa and Jesse).

How To Listen

We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

The SportsAlcohol.com Podcast: The Career of Tim Burton

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Tim Burton is easily one of the most commercially successful directors in Hollywood, with a name awareness up there with Steven Spielberg, Martin Scorsese, Quentin Tarantino, and Christopher Nolan. Yet in recent years, the director, whose new movie Miss Peregrine’s Home for Peculiar Children just came out, has been the target of plenty of scorn, too. Is he an underappreciated auteur, a self-plagiarizing hack, or something in between? Is Miss Peregrine a comeback or did he not really go anywhere? What’s up with how much the internet hates Alice in Wonderland?

These questions and more are at the heart of our Tim Burton podcast, where Nathaniel, Marisa, and Jesse started with his new movie and wound up discussing every single feature he’s directed in some capacity. We talk about the best, the worst, the unloved and the underloved. Who sticks up for what? Who has a hot take on Charlie and the Chocolate Factory? And what have any of us bought at Hot Topic? Listen up and find out.

How To Listen

We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

90s Music Goes to the Movies

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

We intentionally dedicated last week to ’90s songs, rather than albums or movies or TV shows; the decade is too big to cover in great depth in a single week. But as Rob alluded to in his essential Soundtracks with Elastica Songs piece, a lot of great ’90s tunes turned up in a lot of great (and not-so-great) ’90s movies, for reasons both artistic and mercenary. So here we’re taking a look at how some of our Top 90 Songs of the ’90s fared in movies that actually came out during the ’90s, with a big assist from film fan and music enthusiast Sara Batkie. A lot of them involve Scenes of Teen Partying.

90s Music at the (90s) Movies

“Fake Plastic Trees” (#61) in Clueless (1995)
“Wah wah wah.” This is how Cher Horowitz reacts to Radiohead in Clueless, with the band standing in for all complaint rock that typically plays on college radio or at least does in Cher’s version of California. I didn’t realize until looking the soundtrack up that it’s actually an acoustic version of the song as its appearance in the film itself is brief and pretty muffled. It is notable, however, for backing the scene that introduces Josh, Cher’s ex-stepbrother and eventual love interest, a plaid-and-Amnesty-International tee-shirt-wearing foil to Cher’s candy-colored Beverly Hills princess. Like Thom Yorke’s sweetly abrasive crooning on the soundtrack, which is otherwise a mix of peppy pop rock numbers by Supergrass and Smoking Popes and sunny covers of Mott the Hoople and Kim Wilde, Josh doesn’t fit his surroundings at first glance. But Clueless remains a classic of its genre for its inclusiveness, from Di and Murray to stoner Travis, even teachers like Ms. Geist and Mr. Hall. In the end, just like Josh and Cher, “Fake Plastic Trees” works with the film because of its differences, not in spite of them. – Sara Batkie

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