Tag Archives: taylor swift

TRACK MARKS BEST OF 2014: “Your Love Is Killing Me” by Sharon Van Etten


Sara is big into reading and writing fiction like it's her job, because it is. That doesn't mean she isn't real as it gets. She loves real stuff like polka dots, indie rock, and underground fight clubs. I may have made some of that up. I don't know her that well. You can tell she didn't just write this in the third person because if she had written it there would have been less suspect sentence construction.

This week, SportsAlcohol.com writers are recounting the best music of 2014. Today’s Track Marks focus on individual songs from albums that didn’t make our collective top five, but did appear on our individual best-album ballots.

Sharon Van Etten may very well have amassed as many break up songs as Taylor Swift in her limited but uniformly excellent discography so far. The difference is when Van Etten sings about her pain, I believe her. Nowhere is that more evident than in this single from her 2014 album Are We There. It has a soft, dirge-y start, an organ grinding over a steady, ghostly beat. Van Etten has the sort of chameleon-like voice that can be both threadbare and galvanizing at any given moment and when she begins singing the lyrics here she’s barely above a whisper. That changes abruptly with the bridge, where the song’s title becomes more than just metaphor.

“Break my legs so I won’t walk to you,” she howls, her voice forceful but never strident. “Cut my tongue so I can’t talk to you.” This is not just a song depicting an abusive relationship but a song about the seductions of such intense bonds. It’s the harm we allow others to do to us but also the harm we do to ourselves, sometimes even the harm we need to do to ourselves. It’s a sledgehammer of a song and while its subject matter can make it a difficult listen, it’s also stunningly beautiful for the contradictions it inhabits: the strength in Van Etten’s voice against the vulnerability of her lyrics, a declaration of self living beside the destruction of it. The part of us that knows better and the part that doesn’t care. This is the state Van Etten’s music often finds her in and I’m happy to meet her there.

TRACK MARKS BEST OF 2014: “Backseat Shake Off (Kendrick Lamar vs Taylor Swift)” by The Hood Internet


Rob is one of the founders of SportsAlcohol.com. He is a recent first time home buyer and it's all he talks about. Said home is in his hometown in Upstate New York. He never moved away and works a job to pay for his mortgage and crippling chicken wing addiction. He is not what you would call a go-getter. This may explain the general tone of SportsAlcohol.com.

This week, SportsAlcohol.com writers are recounting the best music of 2014. Today’s Track Marks focus on individual songs from albums that didn’t make our individual best-album lists.

I know what you’re thinking, reader: “Rob, a mashup was one of your favorite songs of 2014?! There are less embarrassing ways to relive your college years.”

Fret not, reader. I have so many great reasons to include The Hood Internet’s latest.

I wanted an excuse to post this video.

“Backseat Shakeoff” was released at the tail end of the media’s coverage of the  mutual admiration society between Kendrick Lamar and Taylor Swift. This appeals to a very particular demographic AND I AM PART OF IT. I wish I had something more insightful to add beyond “I think it’s cool that Taylor Swift is into Kendrick Lamar and vice versa” on this point, but  I’m not sure what to add on this point.

Just Enough T-Swift


Maybe Jesse and I are just clueless old men who just don’t get the success of Taylor Swift’s march towards world domination, but we’re totally the type of dudes who love great pop music to the degree people question our sexual orientation. I’m serious. Jesse and I did a radio show during summers in college and we’d throw in some Mandy Moore and Atomic Kitty in between the de rigueur Guided By Voices and Built To Spill. We would sometimes get phone calls full of homosexual slurs.

This is a roundabout way of saying that I really like the idea of Taylor Swift transitioning from country to pop superstardom, but the tunes don’t always grab me. “Shake It Off”, the lead single from her latest album, is a mixed a bag. The Hood Internet take the good parts for their mashup by just using the beat, the first verse, and one chorus. The pseudo-rap, spoken word breakdown and troubling music video get left on the cutting room floor.

Kendrick Freaking Lamar

I was late to the party on Kendrick Lamar, but I am here now. While it works well in the context of the full album, “Backseat Freestyle” is (to me) one of the less interesting songs on his breakout good kid, m.A.A.d city. I know it’s one of the clear singles from that record, but it lacks the nuance and insight of Kendrick at his finest. That being said, “Backseat Freestyle” is the obvious choice to mash up with “Shake It Off”. While most of Kenrick’s songs could be described as downbeat, this isn’t one of them.