Latest posts by Sara (see all)
- TRACK MARKS 2019: “Cellophane” by FKA Twigs - December 19, 2019
- TRACK MARKS 2019: “Devotion” by Pure Bathing Culture - December 19, 2019
- TRACK MARKS 2019: “Seventeen” by Sharon Von Etten - December 18, 2019
Track Marks is a recurring SportsAlcohol.com feature that invites writers to briefly discuss a song that is meaningful to them in any way. As usual, we’re closing out the year by talking about a bunch of songs that we loved over the past 12 months.
Some anthems announce themselves before you’ve even pressed play. You don’t call a song “Born in the U.S.A.” and not open with stadium-sized power chords, even if the lyrics they’re backing take the piss out of such nationalistic fervor. A title like “Seventeen” also conjures all sorts of associations for listeners both nostalgic and painful, but Sharon Van Etten’s ode to youth is ready to carry whatever baggage is brought to it. Like much of the Boss’s classic catalog, it works as a rock song and a reckoning simultaneously.
Van Etten has made no secret about how much an abusive relationship has influenced her songwriting, and about how uncomfortable this makes her, and much of her superlative 2019 album Remind Me Tomorrow feels like a conscious attempt to move beyond such narratives while acknowledging the impossibility of ever doing so completely. It’s a work both haunting and haunted, almost Lynchian at times with its slinky synths and narcotized soundscapes. It’s not always an easy listen, which is why “Seventeen” initially feels like something of a relief, rolling up at the album’s halfway mark like a car with its top down, filled with the people you used to be.
But if “Seventeen” looks backward, it does with eyes wide open. As Van Etten observes a young woman on the cusp of adulthood, her lyrics straddle the line between wisdom and longing, embodying both the girl’s anxious rush to grow up and the singer’s wish to shield her from what that might mean. At times, it’s as if she’s addressing to her own ghost: “I see you so uncomfortably alone/I wish you could see how much you’ve grown.” It feels like a distinctly feminine thing to fear: that your younger self would look at what you’ve become and sneer. But Van Etten refuses to sneer back. It’s why this song will last long after 2019 is in the rear view. Because whether you’re at the beginning of your next decade or the end of one, it’s got something to say to you.