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Track Marks 2020: “One Night Standards” by Ashley McBryde

Ben self-identifies as a Slytherin, so it makes sense that he is a business school graduate. He really liked the movie Margin Call, so that makes him SportsAlcohol.com's de facto business correspondent. By business correspondent, we mean the expert in movies and television about business (we don't care about the strength of the dollar or whatever).

Track Marks is a recurring SportsAlcohol.com feature that invites writers to briefly discuss a song that is meaningful to them in any way. Though they can appear on the site at any time, we always run a bunch of them in December and/or January and/or February, looking back at the year in music.

Country music is about form. It is constrained and traditional. It is so standard that, yes, it all can sound the same.

So what makes interesting country is a song that plays with its subject. A song that plays with rhyme. One that’s clever and smart and self-aware of the constraints that it lives in.
Continue reading Track Marks 2020: “One Night Standards” by Ashley McBryde