Latest posts by Sara (see all)
- Grammy Week Track Marks: “Nobody” by Mitski - February 7, 2019
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- The Ten Best Soundtrack Cues from The Americans - May 21, 2018
You may have heard a little announcement out of Stockholm recently: Bob Dylan was awarded the Nobel Prize for literature, the first American to do so since 1993 and the first musician ever so honored. It was, to say the least, a controversial choice among the literati. As a writer and avid reader of fiction, I sympathize with the complaints that awarding a literary prize to someone like Dylan robs an actual author, often one whose name is hardly known in the U.S., of a well-deserved boost in sales and recognition. And as someone who strives to read poetry more regularly, I understand the necessity of interrogating whether someone who is known primarily as a lyricist can or should be considered a writer of verse in the same way laureates like Szymborska and Heaney are. And as a woman who has experienced her share of man-splaining, I nodded my head at the annoyance that rippled through many Twitter feeds that perhaps the ultimate white male artiste beloved by every pretentious dickhead who ever picked up a guitar received an award of this magnitude and prestige.