Tag Archives: jesse eisenberg

SPORTSALCOHOL PODCAST: Batman v Superman: Dawn of Justice

Rob is one of the founders of SportsAlcohol.com. He is a recent first time home buyer and it's all he talks about. Said home is in his hometown in Upstate New York. He never moved away and works a job to pay for his mortgage and crippling chicken wing addiction. He is not what you would call a go-getter. This may explain the general tone of SportsAlcohol.com.

Jesse, Nathaniel, Rob, and Sabrina all saw Batman v Superman: Dawn of Justice. None of them really liked it. They knew this would probably be the case. So why go see and then record a very long podcast about it? Long story short: Zack Snyder. This film’s director makes watchable movies that are always some degree of hot mess.  For the long version: listen on! You may want to read this seminal essay that is referenced early on.

There will be spoilers, but not nearly as many as there were in the trailers.

How To Listen

We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

The Best of You, the Worst of You: The Year of the Doppelganger in Film

Sara is big into reading and writing fiction like it's her job, because it is. That doesn't mean she isn't real as it gets. She loves real stuff like polka dots, indie rock, and underground fight clubs. I may have made some of that up. I don't know her that well. You can tell she didn't just write this in the third person because if she had written it there would have been less suspect sentence construction.

NOTE: Spoilers abound.

2014 is a little more than half over and already several cinematic trends have surfaced: the continued dominance of superheroes at the box office; Scarlett Johansson’s uncontested reign of hotness; the continuing Michael Bay pillaging of Saturday mornings of yesteryear. But most intriguing might be the mini-boom of doppelganger movies that have appeared, dare I say it, like unexplained copies of one another in the past few months: Enemy, from Prisoners director Denis Villeneuve; The Double, from ex-IT Crowd star and budding auteur Richard Ayoade; and The One I Love, from first-time filmmaker Charlie McDowell. Each of these three films uses the concept as a jumping off point to tell a unique story. But why the sudden interest in stories about unexplained doubles? What does it say about the anxieties of identity in the new millennium — the way we see ourselves? A deeper examination of each entry in this year of doppelganger in film might provide some answers.

Continue reading The Best of You, the Worst of You: The Year of the Doppelganger in Film