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The SportsAlcohol.com Podcast: Black Widow & Cruella

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

This summer has seen the release of two entries in two of Disney’s biggest franchises, both starring major female stars who are both once-and/or-future fake redheads. Doesn’t that seem like enough to warrant a big discussion of Black Widow and Cruella?! Marisa convened a SportsAlcohol.com podcast to discuss how Black Widow fits into both the MCU and ScarJo’s career, and to figure out what the hell is going on with Cruella and why it’s a surprising fit for star Emma Stone.

During our chat, we wound up further discussion the mysterious viewership and economics of the pivot to streaming, which, in true franchise-friendly fashion, we spun out into a separate bonus episode, also available below!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

  • You can subscribe to our podcast using the rss feed.
  • I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
  • I don’t really know what Stitcher is, but we are also on Stitcher.
  • SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
  • You can download the mp3 of the Black Widow/Cruella episode here and the streaming-biz discussion episode here
  • Our most recent episode or two will sometimes be available on our Soundcloud
  • You can listen to the episodes in the players below.

Black Widow & Cruella:

The Disney Plus Premier Access Experiment:

The Worst Movies of 2020

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Usually, around November of each year, I contribute a ballot of fifteen terrible movies to the A.V. Club, which they aggregate into a list of the year’s worst films. In 2020, owing to a slowdown in studio movies (which usually provide at least a few juicy targets) and overall feelings that the year has had enough pain and punishment without asking critics to relive their worst experiences, my editor decided not to do a Worst-Of list. Elsewhere, there’s a growing consensus that Worst-Of lists are pointless endeavors, designed to reward cheap and easy snark; the exact opposite of what a critic should do.

As Adam Sandler says in Uncut Gems: I disagree.

Worst-of lists are cathartic. There are all kinds of bad movies critics wind up watching out of curiosity, completism, assignment, or, if you’re a freelancer trying to cover some bases, the futile hope that you may be able to parlay having seen it into an assignment. Sometimes you just want to write a few words to try to process the experience. Also: if the most valuable function of best-of lists is to shine a spotlight on movies you think people should prioritize, is it not helpful to explain which movies you found particularly unworthy of the time it takes to watch them? I tend to be pretty loose with recommendations; if you want to see a movie, I say, you should just see it. Read my review afterward. I’m not a consumer guide; who knows what you’ll like? That said, sometimes there are movies that deserve special attention, and sometimes that attention is not positive.

So, because I’m happy to keep the bad vibes flowing, here are my personal choices for the worst movies of 2020. I’ve quoted from my review when a review exists; otherwise, I re-opened these wounds and let some blood flow.
Continue reading The Worst Movies of 2020