Tag Archives: call me by your name

The SportsAlcohol.com Podcast: Oscar Predictions 2018

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Do you like winning your office Oscar pool? Well, look no further, unless you have a lot of money riding on it, in which case we may not be able to help you! The SportsAlcohol.com crew of Marisa, Sara, Nathaniel, Jesse, and Jon may not have all the answers in all the categories, but we sure know how to discuss the hell out of the big six for the 2018 Oscars, chatting about our best guesses as well as our personal favorites or anti-favorites. Who’s delighted by Denzel’s surprise nomination? Who’s rooting for Willem Dafoe? Who’s surprised to love Meryl Streep’s obligatory nom? Who loves Lady Bird? (Well, to that last one: All of us.) Listen and then somehow win your Oscar pool for reasons unrelated!

We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:

The SportsAlcohol.com Podcast: The Best Movies of 2017

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Hopefully you’ve gone through our list of the 20 best movies of 2017, and maybe if you did, you had some questions, such as: Where was this or that movie? Did everyone like every movie on this list a near-equal amount? Is there a way I could listen to Marisa, Sara, Nathaniel, and Jesse talk about the movies of 2017 for a feature-length amount of time? Luckily, we have a podcast for that.

Nathaniel defends The Shape of Water! Sara expresses frustration with Dunkirk! Jesse compares Call Me By Your Name to Brawl in Cell Block 99! Marisa talks about watching The Florida Project with a stranger! It’s all here.

I should note that because some of these movies have been covered extensively on other podcasts, we tried to steer conversations away from some of them. Here’s a quick list of supplemental podcasts you may have missed that also feature movies from our best movies of 2017 list (you know, in case two hours isn’t enough):

T2: Trainspotting is featured on our Danny Boyle episode.
Logan Lucky is featured on our Steven Soderbergh episode.
We talk about A Ghost Story, The Beguiled and Columbus on our summer indies ’17 episode.
We talk about Lady Bird and The Meyerowitz Stories on our Baumbach/Gerwig episode.
And yes, for more Star Wars talk, there’s always an episode for that.

Anyway, check it totally out:

We are now up to SIX (6) different ways to listen to a SportsAlcohol podcast:

Track Marks: “Green Light” by Lorde

There are contrarians, there are iconoclasts, and then there is SportsAlcohol.com co-founder Marisa. A contraiclast? Her favorite Springsteen album came out this century, so she is basically a controversy machine.

Also, she is totally not a dude!

For the impending end of 2017, some of our writers are going back and talking about beloved songs from this year, especially from artists not covered on our podcast.

Sportsalcohol.com has had a complicated relationship to Lorde, to put it nicely. (“Why would a reviewer make the point of saying someone’s not a genius?”/”Well, I just don’t use that word lightly.”) But  every pop singer out there, it seems, has a way of breaking through one of our steely exteriors. This year, while Miley managed to charm Jesse, Lorde’s “Green Light” earwormed its way into my cold, rockist heart.

Which is not to say the song is perfect. Far from it. “Green Light” gets the 2017 Whiplash Award for going from one of the year’s worst lyrics to one of the best. “She thinks you love the beach, you’re such a damn liar,” stops me cold every time, and in a bad way. There’s no nice way of putting it: It’s just dumb. It’s petty. It’s something a sixth-grader would say. And the line sticks out abrasively; the beginning of the verse rhymes, and it seems like “liar” should rhyme with something for consistency, and it…just doesn’t. I don’t want to be the AABB-poetry-police, but I would’ve cut Lorde some slack if she forced that line in there to rhyme with something, but actually there’s no stylistic reason for it to exist. The next time she does a verse, it’s just two lines, not four, and they (mostly) rhyme.

But if you can get past the beach grievances, you are rewarded. “Those great whites they have big teeth, and they’ll bite you,” is actually a very clever way of talking about the dangers of little white lies. It’s the best shark lyric since “When they say great white sharks, they mean the kind with big, black cars,” in the Hold Steady’s “Banging Camp.”

I know a song is not just the sum of its lyrics, but, in the beginning, you don’t have much else besides a quiet piano buffering those words. But after the sharks are released, the song builds to a can’t-help-but-dance moment where I finally see Lorde living up to her reputation. It can’t slow down for a chorus, just a refrain: “I’m waiting for it. That green light. I want it.” (Genius.com says specifically that’s not a Gatsby reference, but, whether Lorde knows it or not, it is.) It’s meant to be shouted. You can jump up and point your finger at the singer when you hear it. Or you can just groove to it in your own little world, like the (tragically too beautiful for this world) Twitter feed @armiedancingto once illustrated.

Press play on “Green Light.” Watch this GIF. Best musical moment of 2017.

I listen to “Green Light” with my 2-year-old. The call-and-response chorus is repetitive enough that she can sing it, too. We both jump up  and down like Armie Hammer. Then she falls onto a pillow we keep on the floor and sticks her legs up in the air, and I grab them and spin her around like a break dancer. There are very few songs that bring us both the same kind of joy. I guess creating something like that does take a certain kind of genius.