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For one week, starting today, fans in America and Canada will be able to see Shin Godzilla, the first new Japanese Godzilla movie in twelve years. The film was a smash hit this summer in its native country, and is already proving controversial (mostly sight-unseen) with western fans for both its politics and its portrayal of the title monster. While controversy is certainly not new to the series, its existence surrounding the twenty-ninth(!) entry offers promise that there is still room to try something new as Godzilla enters his seventh decade on screen.
One area that Shin Godzilla seems to be striking new ground in the series is that it is apparently a completely fresh start, establishing its own continuity and not functioning as a sequel to any prior film. That’s right, Shin Godzilla is a reimagining/remake/hard reboot/what-have-you. It’s all the more surprising that his hasn’t happened before when you look and see that so many of the other storytelling trends that Hollywood studios have been chasing over the last fifteen years have been well covered in the Godzilla series. Godzilla wasn’t always there first, but he was usually there early, and I needn’t tell you how big those footprints are.
Continue reading Godzilla: King of the Hollywood Trends