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Widows cooks like a heist picture and sprawls like an epic drama

Jesse

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

In the Saturday Night Live-based comedy MacGruber, Will Forte’s would-be action her assembles a kickass team of he-men during a stirring montage, packs them into a truck for a mission, and accidentally blows them all to hell. That’s not exactly what happens at the opening of Steve McQueen’s Widows, and probably drawing the comparison is a little bit insulting. But hear me out: McQueen dispatches an entire B-movie’s worth of tough guys with similar (if non-comic) efficiency, and precision-cut style. He toggles between a man and wife nuzzling in bed together and a brutal robbery turned car chase turned armed showdown. Back and forth it goes, quiet and loud, until the crew (including Liam Neeson and Jon Bernthal) is consumed in an explosion and, in the final pre-title image, the pillow next to Veronica (Viola Davis) lingers, empty. Her husband Harry (Neeson) isn’t coming back.
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