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Here’s another in our series of ongoing reports from Tribeca 2021. Some past Tribeca 2021 (and 2019 and 2018!) write-ups can be found here.
As a film festival, Tribeca has a weakness for New York movies—and why shouldn’t it? Though the New York Film Festival has been around for decades, its smaller slate and marquee attractions from the world of international cinema inevitably limits the New Yorkiness of its selections, while Tribeca has the freedom to explore the city from multiple vantage points every year. That feels particularly pronounced at Tribeca 2021, as so much of the city has been stuck inside for the better part of the last 18 months. At a time when a lot of Tribeca screenings are happening cautiously outdoors, and most people seem to be watching most of the movies from home, a 79-minute experiment like Adam Leon’s Italian Studies (Grade: B+) almost feels like thrilling escapism: Marvel at the rare spectacle of a woman (Vanessa Kirby) wandering around Manhattan, brushing past strangers, and even interacting with them beyond nodding or scowling at the presence or absence of a face mask!
Continue reading Tribeca 2021: New York, I (Still) Love You