Jesse
Latest posts by Jesse (see all)
- The SportsAlcohol.com Podcast: 1999 Albums – Ben Folds Five and Fountains of Wayne - November 7, 2019
- The SportsAlcohol.com Podcast: 1999 Albums – When the Pawn… - October 23, 2019
- The SportsAlcohol.com Podcast: 1999 Albums – Emergency & I - October 19, 2019
Now that Steven Soderbergh is back to making movies at his usual peerless clip after a short-yet-too-long four-year break, he’s picking up very much where he left off. Last summer’s Logan Lucky was like a sweeter Ocean’s 11 led by his pre-retirement muse Channing Tatum, and now his brand-new, iPhone-shot feature Unsane is very much a companion piece to Side Effects (which also featured Tatum, alongside Rooney Mara, Jude Law, and Catherine Zeta-Jones). Soderbergh is once again rooting a psychological thriller in a modern fears about medicine and mental health, following Sawyer Valentini (Claire Foy) as she seeks help for residual fears after a stalking incident, and finds herself committed against her will to a mental hospital – where she starts to seeing a face she swears belongs to her old stalker (Joshua Leonard).
A major difference between Unsane and some of Soderbergh’s other female-centric genre experiments is that Foy is a professional actress. That’s not a knock against The Girlfriend Experience’s Sasha Gray or Haywire’s Gina Carano; Soderbergh knew what he was doing, casting an adult film performer and martial artist, respectively, at the center of two movies. Though neither woman was experienced in traditional film performing, they both seemed to match Soderbergh’s preferred later-period female character: Calculating but lacking affect, professional but somewhat opaque, and uninterested in charming the audience like the lead of a romantic comedy (something so many movies, rom-com or not, expect from its female leads).
Continue reading Unsane: Claire Foy is the latest of Steven Soderbergh’s Difficult Women