Tag Archives: the incomparable liam neesons

Liam Neeson Cosplays Late-Late-Period Clint Eastwood in THE MARKSMAN

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

There is no shortage of Clint Eastwood. He may not star in movies as regularly anymore, but his late-late-period career has featured so many roles that seemed like de facto retirement ceremonies that Gran Torino, Trouble with the Curve, and The Mule feel closer together than they are, spread out over the course of a decade. He has at least one more starring role to go; his movie Cry Macho is due out by the end of 2021. By then, he will be 91. The Mule, his last not-quite-last movie made $100 million in the United States. He is easily the most popular eighty-and-ninetysomething actor and director in Hollywood history.

Yet at some point, very likely in the next five to ten years, Clint Eastwood will no longer make movies. (This is not a prediction of his death, mind. If it’s easy to picture any movie star making it to 110, it’s Clint.) He will leave behind the perception that a certain segment of the moviegoing public really enjoys seeing middle-to-advanced-aged men put younger bad guys in their place. 2009’s Taken, starring Liam Neeson, is generally considered to have kicked off the modern strain of old-man-vengeance thrillers, but Eastwood was there a few weeks earlier with 2008’s Grand Torino, just as big a hit with an even older protagonist. (Neeson was a spry 57 when Taken came out, compared with Eastwood’s 79 at the same time.)
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Modern Men: HONEST THIEF and SHITHOUSE

Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

I have to get this out of the way: I have no idea why Shithouse is titled Shithouse. I mean, technically I know: The title refers to some kind of frat or residence house on or near a Los Angeles college campus where the movie’s two main characters don’t quite meet. It’s the kind of place where, when Alex (Cooper Raiff) asks about where to find a party on a Friday night, and his asshole roommate Sam (Logan Miller) tells him the big one is at Shithouse, Alex asks if there are any other parties available. There are not. 

Alex is not the kind of guy who particularly wants to go to a place called Shithouse and he’s not the type of guy who would name a movie Shithouse. (This apparently sets him apart from the actor playing him, who wrote and directed the film and likely had at least some input on the title.) Maybe that’s the point, in a movie about Alex trying to get out of both his comfort zone and his freshman-year loneliness (turns out, they may be the same thing). But it’s still a strange gesture for the movie to make, if only because it portends a different, more aggressive and maybe dirtbaggy brand of campus comedy, and Shithouse is one of the most sensitive renderings of college insecurity I’ve ever seen.
Continue reading Modern Men: HONEST THIEF and SHITHOUSE