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The SportsAlcohol.com Podcast: Zack Snyder’s Justice League

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Jesse
Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Latest posts by Jesse (see all)

Not long into Zack Snyder’s Justice League (A Zack Snyder Film), Marisa started taking notes, just feeling in her bones that this would be a podcast. She was right to suspect it; we’ve certainly covered our share of superhero movies on this site, including a recent overlong review, a ranking of DCEU movies, and an earlier podcast about the state of the superhero movie back in 2017. But not even flop superhero movies stay dead, as Zack Snyder’s Justice League is here to prove. For SportsAlcohol.com’s Zack Snyder’s Justice League Podcast, Marisa, Jesse, Rob, and Ben all watched Snyder’s four-hour epic and lived to talk about it, at a comparably brief two hours. We cover everything from Jack Kirby to graverobbing, from Joss Whedon quips to tortured food metaphors. So while you wait for a third, black-and-white version of Justice League to drop on HBO Max, enjoy our latest SnyderChat!

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  • You can download the mp3 of this episode directly here
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Movies

Zack Snyder’s JUSTICE LEAGUE: A Big Slice of Hero Cake

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Jesse
Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.
Latest posts by Jesse (see all)

I thought about structuring my review of Zack Snyder’s Justice League, the much-anticipated four-hour reclamation-through-supersizing of a misbegotten DCEU non-blockbuster, like a normal piece of film criticism. This would mean crafting a catchy lead, smooth transitions, drilling down into some finer details, and summing it all up to make a broader point about the film, the filmmaker, the genre, whatever. But this version of Justice League stubbornly resists traditional structure; it’s literally one of the longest feature films I’ve ever seen, and not even in service of telling a radically different story from the bastardized version that came out in 2017. Instead, it tells that story again, and at vastly greater length, and with no particular rhythm, discernible construction, or traditional momentum. It’s divided into six parts and an epilogue, and apart from the epilogue (which takes place some days or weeks after the events of the climax), there doesn’t seem to be a particular organizing principle. It’s not sorted by timeline, character, or any thematic unity I could detect (and detecting subtleties are rarely among the challenges this filmmaker poses). The parts are titled seemingly at random, perhaps so Zack Snyder, the architect of this monument to his half-baked ideas, can decide what they mean later. It turns out that Snyder’s ideal movie is an assembly cut with finished special effects.
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