- The SportsAlcohol.com Podcast: Best Music of 2023 - February 9, 2024
- The SportsAlcohol.com Podcast: Best Movies of 2022 - February 17, 2023
- The SportsAlcohol.com Podcast: Best Streaming TV of 2022 - February 9, 2023
NOTE: Spoilers abound.
2014 is a little more than half over and already several cinematic trends have surfaced: the continued dominance of superheroes at the box office; Scarlett Johansson’s uncontested reign of hotness; the continuing Michael Bay pillaging of Saturday mornings of yesteryear. But most intriguing might be the mini-boom of doppelganger movies that have appeared, dare I say it, like unexplained copies of one another in the past few months: Enemy, from Prisoners director Denis Villeneuve; The Double, from ex-IT Crowd star and budding auteur Richard Ayoade; and The One I Love, from first-time filmmaker Charlie McDowell. Each of these three films uses the concept as a jumping off point to tell a unique story. But why the sudden interest in stories about unexplained doubles? What does it say about the anxieties of identity in the new millennium — the way we see ourselves? A deeper examination of each entry in this year of doppelganger in film might provide some answers.