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With Pet Sematary, Jason Clarke has truly arrived. Not as a Hollywood leading man; he’s already played John Connor (in a Terminator if not The Terminator), the main guy in a Planet of the Apes sequel, and a bunch of prominent roles in prestige-y pictures like Mudbound, The Great Gatsby, and Chappaquiddick. In 2019, Clarke has arguably already blown past the traditional leading-man phase of his career, and gone into Patrick Wilson territory, which I would define as operating in a perpetual state of former leading man.
This is not the same as a perpetual Baxter/Ralph Bellamy type, like Bill Pullman in 1993, or James Marsden in the early 2000s, playing the nice, handsome, normal guy who often loses the girl to someone cooler, handsomer, and less normal. Those characters are hardly ever actually leading roles, their reduced screen presence tipping the audience off about who the real star is. But Jason Clarke is the main character in Pet Sematary, just as sure as Patrick Wilson is the male lead of Insidious, Little Children, Watchmen, and Young Adult among others. He’s not playing the same guy in all of these movies, but there’s definitely a vibe (reinforced by his work on the indelible Girls episode “One Man’s Trash”): the handsome guy who’s in some supposed position of power, authority, or contentment, but operating with some kind of faded glory, lack of gumption, or dark secret. He is, whether pleasantly (Young Adult) or destructively (Insidious), the golden boy gone slightly to seed. He’s often a husband and/or a father, and he’s usually trying, if not necessarily his best. Often, he’s just a little too passive or outmatched by someone. He gets in over his head. It’s not his fault, except it kind of is.
Continue reading PET SEMATARY wants to punish Jason Clarke, and everyone else, for being such a fuck-up