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The Best 30 Rock Episodes: A Chronological Journey, Part Two

Sara

Sara is big into reading and writing fiction like it's her job, because it is. That doesn't mean she isn't real as it gets. She loves real stuff like polka dots, indie rock, and underground fight clubs. I may have made some of that up. I don't know her that well. You can tell she didn't just write this in the third person because if she had written it there would have been less suspect sentence construction.
Sara

Hold on! Before reading this, make sure you’ve caught up with yesterday’s kickoff. Now, wave like a human being!

Liz Waves
Season 4, Episode 7: “Dealbreakers Talk Show #0001”
30 Rock’s ensemble cast began to sprawl out as the show went on, serving some characters better than others. In the first few seasons Jenna Maroney played an integral role as Liz’s best friend and working nightmare, the grotesquely narcissistic star of TGS who still made time to give her friend terrible life advice. But as Liz and Jack’s corporate relationship grew more personal, Jenna was often shunted into B and C stories; as her craziness became more outsized her position as Liz’s friend became more precarious. This is not to suggest Jane Krakowski doesn’t give everything she gets her all. But it does seem a bit of a shame in retrospect, especially when her presence can lift an entire episode into greatness, as it does with “Dealbreakers.” The early portion of season four introduced a new arc for Liz as she publishes a bestseller based on a catchphrase of one of Jenna’s TGS characters, but in another example of 30 Rock mocking the expectations of serialized stories (or, less charitably, losing interest in them), Liz’s shot at starring in a show based on the book is short-lived. After a disastrously hilarious shoot during which Liz turns into a bizarre marionette-approximation of a human (“Remember waving?” Pete yells helplessly) she locks herself in her dressing room and refuses to come out, just as Jenna often does, leading Jack to seek her counsel. This whole episode is about the fluidity of character traits; in Liz’s absence from the writer’s room, Frank, another supporting cast member I’ve yet to mention, steps into her role as den mother, scolding his colleagues and dressing in frumpy sweaters. It wouldn’t work if we didn’t know all these characters so well by now; by episode’s end the reset button has been hit but it’s still a jolt to a series that was starting to show its limits.
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