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About halfway through Damsel, maybe a little earlier, maybe much earlier if you’re looking for it, Robert Pattinson, who has been playing the lead role, turns out to be less heroic than you might have assumed, and certainly less heroic than his character has made himself out to be so far. This might constitute a spoiler if I was more specific, or if Robert Pattinson had played any actual heroic roles since his work as the ultimate Hero Who’s Not, Really as the lead in the Twilight series. This isn’t a criticism so much as a fact: Robert Pattinson has played creeps, fuck-ups, and/or blunderers so many times that it’s his moments seeming like a sweet naïf that subvert expectations, not any undermining of his matinee-idol image (besides, five Twilight movies arguably did that already, albeit unintentionally).
That’s about right for Damsel, which makes a sharp point much later and more frequently than is, perhaps, necessary. The cue is right there in the title; obviously when Samuel (Pattinson) recruits a supposed parson (co-writer/co-director David Zellner) to help rescue his beloved Penelope (Mia Wasikowska) in a movie called Damsel, there’s probably going to be more going on than, you know, rescuing the damsel and going home. The movie’s twist, of sorts, is less notable for its ribbing of Old West tropes than its commitment to the bit: Once Wasikowska’s character gains some dimension in the back half of the movie, it doesn’t let up its pokes at very male complexes.
Continue reading The Odyssey: Damsel and Izzy Gets the Fuck Across Town