- The Best Movies of 2021 - March 21, 2022
- The SportsAlcohol.dom Podcast Double Feature: Best Movies of 2021, and the Oscars - March 19, 2022
- TRACK MARKS 2021: “4Runner” by Rostam - February 11, 2022
NOTE: Spoilers abound.
2014 is a little more than half over and already several cinematic trends have surfaced: the continued dominance of superheroes at the box office; Scarlett Johansson’s uncontested reign of hotness; the continuing Michael Bay pillaging of Saturday mornings of yesteryear. But most intriguing might be the mini-boom of doppelganger movies that have appeared, dare I say it, like unexplained copies of one another in the past few months: Enemy, from Prisoners director Denis Villeneuve; The Double, from ex-IT Crowd star and budding auteur Richard Ayoade; and The One I Love, from first-time filmmaker Charlie McDowell. Each of these three films uses the concept as a jumping off point to tell a unique story. But why the sudden interest in stories about unexplained doubles? What does it say about the anxieties of identity in the new millennium — the way we see ourselves? A deeper examination of each entry in this year of doppelganger in film might provide some answers.