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Unsane: Claire Foy is the latest of Steven Soderbergh’s Difficult Women

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Jesse is a cofounder of SportsAlcohol.com even though he doesn't care for sports or alcohol. His favorite movie is Ron Howard's The Paper. I think. This is what happens when you don't write your own bio. I know for sure likes pie.

Now that Steven Soderbergh is back to making movies at his usual peerless clip after a short-yet-too-long four-year break, he’s picking up very much where he left off. Last summer’s Logan Lucky was like a sweeter Ocean’s 11 led by his pre-retirement muse Channing Tatum, and now his brand-new, iPhone-shot feature Unsane is very much a companion piece to Side Effects (which also featured Tatum, alongside Rooney Mara, Jude Law, and Catherine Zeta-Jones). Soderbergh is once again rooting a psychological thriller in a modern fears about medicine and mental health, following Sawyer Valentini (Claire Foy) as she seeks help for residual fears after a stalking incident, and finds herself committed against her will to a mental hospital – where she starts to seeing a face she swears belongs to her old stalker (Joshua Leonard).

A major difference between Unsane and some of Soderbergh’s other female-centric genre experiments is that Foy is a professional actress. That’s not a knock against The Girlfriend Experience’s Sasha Gray or Haywire’s Gina Carano; Soderbergh knew what he was doing, casting an adult film performer and martial artist, respectively, at the center of two movies. Though neither woman was experienced in traditional film performing, they both seemed to match Soderbergh’s preferred later-period female character: Calculating but lacking affect, professional but somewhat opaque, and uninterested in charming the audience like the lead of a romantic comedy (something so many movies, rom-com or not, expect from its female leads).
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