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Unlikeable protagonists have been having something of a Renaissance as of late (so much so that some of us at Sports Alcohol have gone so far as to wonder if we aren’t unlikeable protagonists ourselves). They can be found anywhere, of course, but many films tend to show them thriving (or at least getting by) in the art world. This makes sense, as it’s a place uniquely suited to the working out of personal demons in a public arena – and film is a format uniquely suited to displaying that struggle in immediate and imaginative ways. Three recent films, Inside Llewyn Davis, Birdman, and Listen Up Philip, have done just that, grappling with the great divide that often opens between creators and their creations, particularly once said creations are out in the world for others to consume. Though their chosen mediums vary, from music to theatre to fiction, one thing unites the three artists portrayed in these films: they are total bastards.
Continue reading Listening to Llewyn, Riggan, and Philip: Three Portraits of the Artist as an Asshole